A study of traffic movement in Paris.
Social & External
An experimental film from Jirí Lehovec, mixing the sound process with animated rhythms.
A 6-year-old Tibetan boy leaves his family and flees to a refugee camp in northern India.
One of Han Ok-hee’s renowned pieces called The Hole uses the flicker, oblique angles, the cross-cutting of reality and fantasy to express inner entrapment and the desire for liberation. Han Ok-hee’s The Hole, The Rope and Untitled not only experimented with cinematic forms of expression, but also played an important role in the protest against forms of expression in experimental films and the artistic protest against the social suppression and censorship in 1970s Korea. (Art Cinema OFFoff)
A documentary from Erkki Karu, one of the earliest pioneers of Finnish cinema: This government-produced propaganda film introduces the nature, sports, military, agriculture and capital of Finland.
In 1942, more than 8,000 Jews were arrested on 16 and 17 July and sent to the Vélodrome d'Hiver sports center in the 15th district, a stone's throw from the Eiffel Tower, before being deported. The expression "Vel d'Hiv round-up" has become part of our collective memory, to the point of becoming the main memorial reference point for France during the dark years. Based on research carried out in unpublished or rarely explored archives, this film retraces the history of this roundup as experienced by hunted Jews and police trackers, from its planning in the Vichy offices to its hour-by-hour unfolding in the streets of Paris.
In his own words, the burglar behind the 2010 robbery of the Paris Museum of Modern Art tells how he pulled off the biggest art heist in French history.
A medium-length film that takes the central place in the video installation "The Lady of Corinth". In both the medium-length film and the installation, Guerin delves into the relationship between cinema and painting based on Pliny the Elder's account of the invention of painting.
A 13-minute documentary film depicting life in Prague.
The story of Zineb El Rhazoui, a young Moroccan woman who, in the wake of the Charlie Hebdo attack, finds her life radically transformed : from a censored journalist in Morocco she becomes the most protected woman of France.
Most movie fans know that the first filmmakers liked to shoot trains entering stations. This example by Sussex film pioneer George Albert Smith illustrates why. The train's rush towards the audience brings movement and visual drama. The flurry of human activity offers plenty for the audience to engage with - who are these people and where are they going? And the time pressure exerted by the fact that the train must soon depart adds narrative tension - will everyone get on and off in time?
Educational short film about the solar eclipse
First part of the collaborative project "Brise-Glace" showing the diverse travels on the icebreaker "Frej". Directed by Jean Rouch.
Charles Dekeukeleire, then a questioning Catholic, was spurred into making this documentary on a pilgrimage with the Catholic Young Workers’ Movement. The director’s approach is one of critical reflection; A film emotional and fervent, even acerbic.
Culled from four rolls of Super-8 film shot while the maker was a development worker in a small South American village, Daumë is at its center a film about ritual, power, and play. Daumë is both ethnography and critique; it is an interrogation into how to represent a place that can't be represented.
An ethnographic field report in which the Anthropologist describes the mythic creation of an unnamed ‘sun-scraping structure’ through the ritualized actions of the Red and the Blue Gods.
Rapidly changing images of natural objects, scenery, animals, plants, and people flicker, flash, tumble, and cascade across the screen.
In the Mojave Desert, fields of solar panels follow the sun’s daily journey in perfect synchronicity.
The Displaced View traces a personal search for identity and pride, within the unique and suppressed history of the Japanese in Canada. Through an examination of the emotional and cultural links between the women of one family, the processes of the construction of memory and the re-construction of history, are revealed. Utilizing an innovative combination of experimental, dramatic and documentary forms, the film emerges as a deeply moving and compassionate love letter. Just as the official history of the Japanese Canadians has been thrown into question, so does the film’s fictionalized narrative, question documentary as truth.
Rainer Kohlberger applied various algorithms to extract the noise from a vast number of action films and used this to reduce the dramaturgy of the narrative to its essence. keep that dream burning oscillates between maximum abstraction and pure blur. Within the blurriness, objects form and disappear. The surface allows the space to be conceived.
The film is a panorama shot-scene lasting just under a minute. The panorama film, as coined by Lumière, is a moving-camera shot--usually accomplished by placing the camera on a moving transport, such as a boat or train.
An intimate portrait of the small shops and shopkeepers of the Rue Daguerre in Paris, a picturesque street that has been the filmmaker’s home for more than 50 years.
Paris, summer 1960. Anthropologist and filmmaker Jean Rouch and sociologist and film critic Edgar Morin wander through the crowded streets asking passersby how they cope with life's misfortunes.
The film follows adventurer Jeff Johnson as he retraces the epic 1968 journey of his heroes Yvon Chouinard and Doug Tompkins to Patagonia.
This documentary traces the capture of serial killer Guy Georges through the tireless work of two women: a police chief and a victim's mother.
Nadja is a guest student, who stays at Cité Universitaire and visits the Sorbonne, while preparing a thesis on Proust; she also likes to stroll about Paris.
This documentary revisits the French football team's controversial 2010 World Cup and the bus strike that sparked global headlines and national outrage.
Angelic and demonic serpentine dance from dawn of cinema. Hand-colored frame by frame. Lumière no. 765 or 765.1 (colorized, different dancer?).
Daft Punk Unchained is the first film about the pop culture phenomenon that is Daft Punk, the duo with 12 million albums sold worldwide and seven Grammy Awards. Throughout their career Thomas Bangalter and Guy-Manuel de Homem-Christo have always resisted compromise and the established codes of show business. They have remained determined to maintain control of every link in the chain of their creative process. In the era of globalisation and social networks, they rarely speak in public and neither do they show their faces on TV. This documentary explores this unprecedented cultural revolution revealing a duo of artists on a permanent quest for creativity, independence and freedom.
King of the slack wire. His daring feats of balancing as he performs his thrilling feats in midair show that he is perfectly at home.
This character-driven film considers the evolving sex trafficking landscape as seen by the main players: the exploited, the pimps, the johns that fuel the business, and the cops who fight to stop it.
A subjective documentary that explores various theories about hidden meanings in Stanley Kubrick's classic film The Shining. Five very different points of view are illuminated through voice over, film clips, animation and dramatic reenactments.
Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.
A documentary focused on plastic pollution in the world's oceans.
What starts off as a conventional travelogue turns into a satirical portrait of the town of Nice on the French Côte d'Azur, especially its wealthy inhabitants.
Candid interviews of ordinary people on the meaning of happiness, an often amorphous and inarticulable notion that evokes more basic and fundamentally egalitarian ideals of self-betterment, prosperity, tolerance, economic opportunity, and freedom.
Director Agnès Varda and photographer/muralist JR journey through rural France and form an unlikely friendship.
An unpredictable documentary from a fascinating storyteller, Agnès Varda’s last film sheds light on her experience as a director, bringing a personal insight to what she calls "cine-writing," traveling from Rue Daguerre in Paris to Los Angeles and Beijing.
Filmed over nearly five years in twenty-five countries on five continents, and shot on seventy-millimetre film, Samsara transports us to the varied worlds of sacred grounds, disaster zones, industrial complexes, and natural wonders.
A new documentary by filmmaker-photographer Raymond Depardon – where justice and psychiatry meet.
