This film records the vast public response to the early death of Vera Kholodnaya, the first star of Russian cinema.
Social & External
Self (archive footage)
This pioneering documentary film depicts the lives of the indigenous Inuit people of Canada's northern Quebec region. Although the production contains some fictional elements, it vividly shows how its resourceful subjects survive in such a harsh climate, revealing how they construct their igloo homes and find food by hunting and fishing. The film also captures the beautiful, if unforgiving, frozen landscape of the Great White North, far removed from conventional civilization.
The "unsinkable" Titanic was a dream come true: four city blocks long and a passenger list worth 250 million dollars. But on her maiden voyage in April 1912, that dream became a nightmare when the giant ship struck an iceberg and sunk in the cold North Atlantic. More than 1,500 lives were lost in one of the greatest disasters of the 20th century. Now, using newsreels, stills, diaries, and exclusive interviews with survivors, Titanic: The Complete Story recounts the sensational history of the premier liner. In Part I: Death of a Dream, the largest ship ever built is christened in Ireland before a cheering crowd of 100,000. Witness the disaster this trek becomes as numerous iceberg warnings go unheeded and the ship sinks in the icy North Atlantic. In Part II: The Legend Lives On, over-packed lifeboats edge away from the crippled liner as a futile SOS signals flare into the night--leaving 1,500 passengers to a watery grave.
Documentary about the lost 1914 film "Sperduti nel buio". Film historian Denis Lotto journeys across Europe following the trail of the lost movie.
Finland’s first nature documentary. The filmmakers’ expedition leads them all the way to the Åland Islands and the Karelian Isthmus.
Not everything has been told about World War One. This documentary tries to explain how tens of millions of men could have suffered the unbelievable toughness of life in trenches during the 4 year ordeal. How could they have accepted the idea of a sure death or injury while not being able to tell why they were fighting.
Experimental film fragment made with the Edison-Dickson-Heise experimental horizontal-feed kinetograph camera and viewer, using 3/4-inch wide film.
William K.L. Dickson brings his hat from his one hand to the other and moves his head slightly, as a small nod toward the audience. This was the first film produced by the Edison Manufacturing Company to be shown to public audiences and the press.
The epic story of the Russian Civil War (1918-21): the White Terror, the counterrevolutionary uprisings, the guerrilla war, the Kolchak front, the Wrangel front and the Kronstadt rebellion. Chaos and violence, devastation and death.
First there was ‘Picnic at Hanging Rock’, then ‘My Brilliant Career’, and now best of all ‘The Getting of Wisdom’. It is incomparably moving and powerful.
Newly restored and assembled by the International Olympic Committee - the earliest comprehensive moving-image record of the modern Olympic Games that survives today.
An appreciative, uncritical look at silent film comedies and thrillers from early in the century through the 1920s.
The first woman to appear in front of an Edison motion picture camera and possibly the first woman to appear in a motion picture within the United States. In the film, Carmencita is recorded going through a routine she had been performing at Koster & Bial's in New York since February 1890.
A film by Louis Aimé Augustin Le Prince, shot in late October 1888, showing pedestrians and carriages crossing Leeds Bridge.
Hats are modelled, then lingerie.
A cameraman wanders around with a camera slung over his shoulder, documenting urban life with dazzling inventiveness.
Experiments on the crystallization of various inorganic substances: crystallization from solution, crystallization from melt and vapour phase, mixed crystal formation, oriented growth, change from a metastable into a stable phase.
A day in the city of Berlin, which experienced an industrial boom in the 1920s, and still provides an insight into the living and working conditions at that time. Germany had just recovered a little from the worst consequences of the First World War, the great economic crisis was still a few years away and Hitler was not yet an issue at the time.
This short documentary film captures the natural movement of the moon mixed with an experimental musical track that accompanies the rhythm of the "walk" on the stage that the protagonist occupies, the sky.
A troupe of gypsies takes a traveler along with them on their day trip.
Newsreel of the visit of sultan Mehmed V Resad to Bitola.
Sergei M. Eisenstein's docu-drama about the 1917 October Revolution in Russia. Made ten years after the events and edited in Eisenstein's 'Soviet Montage' style, it re-enacts in celebratory terms several key scenes from the revolution.
A dramatized account of a great Russian naval mutiny and a resultant public demonstration, showing support, which brought on a police massacre.
Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.
A group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.
John Shepherd spent 30 years trying to contact extraterrestrials by broadcasting music millions of miles into space. After giving up the search, he makes a different connection here on earth.
A weary traveler stops at an inn along the way to get a good night's sleep, but his rest is interrupted by odd happenings when he gets to his room--beds vanishing and re-appearing, candles exploding, pants flying through the air and his shoes walking away by themselves.
A Soviet woman is caught between her husband and son, who find themselves on opposing sides of the Russian Revolution.
A child borrows his grandmother's magnifying glass to look at a newspaper ad for Bovril, at a watch, and then at a bird. The child shows grandma what he is doing. The child looks next at grandma's eye, then at a kitten.
A compilation of over 30 years of private home movie footage shot by Lithuanian-American avant-garde director Jonas Mekas, assembled by Mekas "purely by chance", without concern for chronological order.
Pierre and Jacques are working as waiters at a restaurant where the cooks go on strike. When the two are forced to work as bakers, the striking cooks put dynamite in the dough, with explosive results.
Buster and a woman are mistakenly married and her initially unfriendly family begins to treat him nicely when they come to believe he has a large inheritance awaiting him.
A man attempts to evade observation by an all-seeing eye.
A spiral design spins. It's replaced by a spinning disk. These two continue in perfect alternation until the end: a spiral design, a disk. Each disk is labelled and can be read as it rotates. The messages, in French, feature puns and whimsical rhymes and alliteration. The final message comments on the spiral motif itself.
While in San Francisco for the promotion of her last film in October 1967, Agnès Varda, tipped by her friend Tom Luddy, gets to know a relative she had never heard of before, Jean Varda, nicknamed "Yanco". This hitherto unknown uncle lives on a boat in Sausalito, is a painter, has adopted a hippie lifestyle and loves life. The meeting is a very happy one.
Mabel goes home after being humiliated by a masher whom her husband won't fight. The husband goes off to a bar and gets drunk.
Charlie takes care of a man in a wheelchair.
A young prostitute, who is trying to give her infant son a good start in life, must contend with a coercive pimp and the prejudices of others.
The hero, a janitor played by Chaplin, is fired from work for accidentally knocking his bucket of water out the window and onto his boss the chief banker (Tandy). Meanwhile, one of the junior managers (Dillon) is being threatened with exposure by his bookie for gambling debts unpaid. Thus the manager decides to steal from the company.
After returning home to his long-estranged mother upon a request from her deathbed, a man raised by his parents in an orphanage has to confront the childhood memories that have long haunted him.
Stan and Ollie play door-to-door Christmas tree salesmen in California. They end up getting into an escalating feud with grumpy would-be customer James Finlayson, with his home and their car being destroyed in the melee.
