At the center are takes which do not change - a tree in a field in Vermont, U.S.A. Since the film was shot over a period of fifty days, the single frame shots create a storm of pictures.
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In a realm beyond the senses, plants interact with surreal cinematography to chart the course of our character: an entity said to embody the life and work of Felisberto Hernández, Uruguayan father of magical realism. Through this journey, we are confronted with an open-ended experience questioning the nature of musicality versus cinematography, entity versus aberration, and self versus space, in a self-referential, blurry, digital and mystical setting.
Part of Chris Marker’s Three Video Haikus series, Tchaïka is a brief visual meditation showing an overexposed view of a bridge and the river flowing beneath it.
A nightingale bird discovers a true lover when she witnesses a young university student talk with great passion about his beloved. The Nightingale goes on a quest to find the red rose the Student needs win his lovers heart, but this comes at a chilling price. Based on the classic fairytale by Oscar Wilde.
Part of Chris Marker’s Three Video Haikus series, Petite Ceinture is a brief visual meditation on Paris’s abandoned circular railway, filmed as an homage to the Lumière brothers.
Robbie, a college-aged boy, is rekindling an old friendship with Greyson. He needs a model for his portfolio and Greyson needs new photos for his dating apps to get over his ex-girlfriend. Together they explore each other's perceptions of love, friendship, and personal growth.
Between 1950 and 1958, John Marshall made four expeditions to film the Ju/'hoansi (a group of !Kung Bushmen) of the Nyae Nyae region of Namibia (then South West Africa). During this time, Marshall shot over 300,000 feet of 16mm film (157 hours). He later produced a total of 23 films exclusively from this footage. In this short film, children tempt fate by playing with scorpions.
A precocious young girl makes a new friend when a tiny boy pilot drops out of the sky on a broken flying machine. Now she must race against time to return him home, before her new friend becomes stranded on Earth forever.
The tradition is sleeping alone every night and the only exception is the last day of winter. She came on that day and found no one. Perhaps it’s already the first day of spring.
In a traditional Moroccan household, on the outskirts of a small town, 26-year-old Aicha leads a monotonous life—her day filled with household chores and caring for her elderly, bedridden mother. But in the evening, she slips out and waits to cross the path of a lorry driver.
Joshua Littman, a 12-year-old boy with Asperger's syndrome, interviews his mother, Sarah. Joshua's unique questions and Sarah's loving, unguarded answers reveal a beautiful relationship that reminds us of the best—and the most challenging—parts of being a parent.
Mercury's Retrograde is an inner dialogue about seeking answers, presented in a comic and lighthearted way, concealing a deeper, tragic truth of our generation.
18 year old Éric, on vacation in the South with his parents, decides to escape the stifling situation especially with his 50 year old father, and join a group of fellow youth.
This is a story about a young man who has to takeover his family’s nightclub business after the death of his older brother.
Tired of waiting for her life to start, Chloe decides to travel the world, but convincing her mother won't be easy.
What triggers the sparkle and juice of each persons life? What makes us open up to the unknown and just leap out of our comfort zones? And where is your secret place where you recharge your batteries? Don´t wait! It might be too late!
A woman with a lot of baggage falls in love with a man haunted by his past. Literally.
Lottie falls for Josh, but will she fall for his gaslighting excuses? And is Lottie playing her own game behind the scenes?
For about a dozen years, Lizama has traveled to southern Chile during the summer, mainly between the cities of Valdivia and Osorno. Years of observing birds and their collective movements, trees and their swaying, the sea and its rhythm, the rain and its whisper, the mist that turns into fog and the boats that shatter the calm. Memories and lessons embedded in cinematic time, of someone who yesterday embarked on the journey as a stranger and today does so to reach the family home. Starting from a recognizable world, we enter a more dazzling and abstract one, playing with the pixels in the frame. Recorded and (mostly) edited on a cell phone.
Ivan Melnychuk documents the changes in Kyiv, focusing on the ruins of buildings constructed from the late 60s for workers. As an architect, he observes the ‘improvements’ of public spaces, highlighting small gestures common in Ukraine. These actions, driven by pragmatism, involve occupying spaces without considering broader effects, reflecting a persistent situation where public spaces are subtly manipulated.
Carefully picked scenes of nature and civilization are viewed at high speed using time-lapse cinematography in an effort to demonstrate the history of various regions.
In the heart of a botanical garden in a medieval university town in Germany stands a majestic ginkgo tree. This silent witness has observed over a century the quiet rhythms of transformation across three human lives. At three distinct moments across the 20th and 21st centuries, these people — each carrying their own questions and inner struggles — inevitably find themselves drawn into the presence of this tree, full of mystery and meaning.
The earliest surviving motion-picture film, and believed to be one of the very first moving images ever created, was shot by Louis Aimé Augustin Le Prince using the LPCCP Type-1 MkII single-lens camera. It was taken on paper-based photographic film in the garden of Oakwood Grange, the Whitley family house in Roundhay, Leeds, West Riding of Yorkshire (UK), on 14 October 1888. The film shows Adolphe Le Prince (Le Prince’s son), Mrs. Sarah Whitley (Le Prince’s mother-in-law), Joseph Whitley, and Miss Harriet Hartley walking around in circles, laughing to themselves, and staying within the area framed by the camera. Roundhay Garden Scene is often associated with a recording speed of around 12 frames per second and runs for about 2 to 3 seconds.
A man trying to get home to his dog becomes stuck in a time loop that forces him to relive a deadly run-in with a cop.
Mater, the rusty but trusty tow truck from Cars, spends a day in Radiator Springs playing scary pranks on his fellow townsfolk. That night at Flo's V8 Café, the Sheriff tells the story of the legend of the Ghostlight, and as everyone races home Mater is left alone primed for a good old-fashioned scare.
Capturing Avatar is a feature length behind-the-scenes documentary about the making of Avatar. It uses footage from the film's development, as well as stock footage from as far back as the production of Titanic in 1995. Also included are numerous interviews with cast, artists, and other crew members. The documentary was released as a bonus feature on the extended collector's edition of Avatar.
The O'Neills lived happily in their house in the Australian countryside. That was until one day fate struck blindly, taking the life of Peter, the father, leaving his grief-stricken wife Dawn alone with their four children. Among them, eight-year-old Simone denies this reality. She is persuaded that her father still lives in the giant fig tree growing near their house and speaks to her through its leaves. But the tree becomes more and more invasive and threatens the house. It must be felled. Of course, Simone won't allow it.
The Fantastic Mr. Fox, bored with his current life, plans a heist against the three local farmers. The farmers, tired of sharing their chickens with the sly fox, seek revenge against him and his family.
Fourteen years after the events of the original film, a series of encounters between people in Britain reminds us that in these different times Love, actually exists.
On an idyllic beach in the Pacific Northwest, curiosity gets the better of a young raccoon whose frustrated parent attempts to keep them both safe.
Bruce Conner's landmark experimental film consisting entirely of found footage edited to a new score.
Takes us to locations all around the US and shows us the heavy toll that modern technology is having on humans and the earth. The visual tone poem contains neither dialogue nor a vocalized narration: its tone is set by the juxtaposition of images and the exceptional music by Philip Glass.
As a visually radical memoir, CAMERAPERSON draws on the remarkable footage that filmmaker Kirsten Johnson has shot and reframes it in ways that illuminate moments and situations that have personally affected her. What emerges is an elegant meditation on the relationship between truth and the camera frame, as Johnson transforms scenes that have been presented on Festival screens as one kind of truth into another kind of story—one about personal journey, craft, and direct human connection.
Mike discovers that being the top-ranking laugh collector at Monsters, Inc. has its benefits – in particular, earning enough money to buy a six-wheel-drive car that's loaded with gadgets. That new-car smell doesn't last long enough, however, as Sulley jump-starts an ill-fated road test that teaches Mike the true meaning of buyer's remorse.
Marcel is an adorable one-inch-tall shell who ekes out a colorful existence with his grandmother Connie and their pet lint, Alan. Once part of a sprawling community of shells, they now live alone as the sole survivors of a mysterious tragedy. When a documentarian discovers them amongst the clutter of his Airbnb, his resulting short film brings Marcel millions of passionate fans, as well as unprecedented dangers and a new hope at finding his long-lost family.
Told through performances, TV interviews, home movies, family photographs, private letters and unpublished memoirs, the film reveals the essence of an extraordinary woman who rose from humble beginnings in New York City to become a glamorous international superstar and one of the greatest artists of all time.
In a suburban landscape, the lives of several families interlace with loss, despair and personal crisis. Esther Gold has lost focus on all but caring for her comatose son, Paul, and neglects her daughter and husband. Lawyer Jim Train is devoted to his career, not his family. Helen Christianson wants to find a new spark in life, while Annette Jennings tries to rebuild hers.
While attending a retrospect of his work, a filmmaker recalls his life and his loves: the inspirations for his films.
In the aftermath of her tumultuous relationship with a charismatic and manipulative older man, Julie begins to untangle her fraught love for him in making her graduation film, sorting fact from his elaborately constructed fiction.
An aging codger named Geri plays a daylong game of chess in the park against himself. Somehow, he begins losing to his livelier opponent. But just when the game's nearly over, Geri manages to turn the tables.