A girl, her brother and their best friend on a long, hot summer's day in Chascomús in Argentina. A love-triangle takes its course.
Social & External
Unknown Role
A foreign woman in a burqa brings her young son to a Copenhagen police station to file a complaint against her abusive husband, but the translator assigned to her seems unwilling to convey the true meaning of her words. A tense, diamond-hard film about cultural isolation and bureaucratic ignorance.
Setsuko, a 55-year-old single 'office lady' in Tokyo, is given a blonde wig and a new identity, 'Lucy,' by her young unconventional English instructor. 'Lucy' awakens desires Setsuko never knew she had. When the instructor suddenly disappears, Setsuko must come to terms with what remains--herself.
Mordant, self-aware, freighted with sensitivity toward Chile’s problem, wary of caricature, disposed toward consciousness of human fallibility, it is a deft blend of fiction and documentary set in the tumultuous days leading up to the election of Salvador Allende in 1970.
Feminism, Victoria Benedictsson, Leandro N. Alem, the Radical Party in Argentina, suicide, stunts, Edgar Allan Poe, the complicated relationship between low-budget films with a political aim and the film industry, Robert Louis Stevenson, fiction, facts, greed, gold treasures left by the Jesuits in Argentina, the 19th Century vs. the contemporary and the search for truth and wisdom are the background for this portrait of a clash between a Swedish artist and an Argentine film director.
The Time We Killed portrays the inner life of a writer unable to leave her Brooklyn apartment on the brink of the US invasion of Iraq. Robyn Taylor tries to kick her growing agoraphobia by re-imagining her past and contemplating world events of the present. As Robyn begins to overcome the amnesia that afflicted her as an adolescent, she fears coming down with “the amnesia of the American people”.
The wife of an alcoholic and mother of four (Toula Stathopoulou) is a factory worker in Corfu at the beginning of the 20th century. A fallen noble man who has fallen on hard times (Stratis Tsopanellis) wants to marry her eldest daughter (Anny Loulou) and take advantage of the family's meager earnings. He kidnaps the not-unwilling girl, and argues with her mother about the dowry. But the girl refuses to marry him when she wakes up to the fact that he is only looking out for his own interests. She then decides to start working in order to earn money to raise the child she is expecting. The film is an adaptation of the novel 'For Honor and Money' by Konstantinos Theotokis.
Presents a day in the life of a few inhabitants of Tórshavn in the Faroe Islands: A father and his daughter are having breakfast when the fire-brigade drive by. A woman and her child are looking at the fire and meet a married couple. The couple say hello to a man who is going out with his boat... and so on.
Two best friends attend the funeral of a Hebrew school classmate who died by suicide and accidentally damage their friendship beyond repair.
Although hostess Brigitte and life-loving schoolgirl Paula only meet in person once, their fates and lives are closely intertwined.
This BBC historical drama stars James Purefoy as Beau Brummell, the original sharp-dressed dandy of 18th-century London. A socialite responsible for inventing the modern suit, Brummell befriends and restyles Prince Regent of Wales.
French drama, the debut film from writer-director Eléonore Faucher. Teenager Claire (Lola Naymark) discovers she is pregnant and decides to keep it a secret. Abandoning her dead-end supermarket job, she is taken on as an apprentice by couturiere Madame Mélikian (Ariane Ascaride), who is grieving over the death of her own child. As the two women work together, they soon develop a supportive and fam
A young female breakdancer, Angel, moves to Los Angeles after an attack by an ex-boyfriend nearly ends her dance career forever. B-Girl follows Angel through recovery and acceptance of a new life as she busts a move into the male-centric world of underground hip hop.
Two exes take a dual-purpose road trip: allow Margaret (Catherine Kellner), a freelance photographer, to complete her assignment to check up on toxic waste sites along the U.S.-Canadian border, and deliver Jay (Ebon Moss-Bachrach) home to his mother's house in Detroit. The trip takes a turn for the weird as they begin to suspect they are trapped.
Whitney Wolfe uses extraordinary grit and ingenuity to break into the male-dominated tech industry.
Akim, young Muslim will become imam sees his upset when he is touched by the love of Christ ... In a family chaos that opposes his brother identity Akim attempt to be accepted by his family.
In a remote part of rural, post-apocalyptic England, now occupied by unseen alien invaders, a feisty teenage girl sets out on a desperate attempt to fight back a group of bandits and defend her parents' farm, their remaining livestock, and the solar panels that keep them safe from extraterrestrials. If she doesn't succeed, she will lose her only source of food and shelter; if she resists, she and her helpless blind sibling will be killed.
"There are two movies I saw on TV about boys who were taken from their families and then returned to them years later. One boy was on a fun spaceship for years and the other boy was kidnapped and molested. These boys were never the same again and they just couldn't re-integrate into the family. I saw these movies when I was little. I've often described them to people, always paired together. They are sort of the comedy and tragedy version of the same story and it is a mundanely spiritual story. Getting Stronger Every Day includes these boys' tales, but they are like mystical objects placed on the living reality of the man storyteller. In other parts of the movie actual mystical objects hover in peoples lives without a myth or story attached. I like to think about how these dimensions interact simply and can be enacted: real life / story / worldly / spirit / video / flat drawing."
On the one hand, Billy's reality is a kaleidoscope of artistic beauty and on the other, an extremely troubled existence. As Billy floats the tightrope between brilliance and madness, he seeks solace in overcoming his personal inner-demons. Billy's hyper -sensitive mind and colorful soul are haunted by the abandonment of his nurturing mother and also by the abuse from his monstrous and envious father. Billy, intellectual and poetic, eventually meets Kaia, a beautiful singer who seems to understand exactly who Billy is. The layers of Billy’s psyche are explored through an extensive interview done in documentary fashion infused with the dark and provocative images from Billy's past and present. Through fragmented memories of underground parties, inside the insane asylum, and his rise to become a famous contemporary artist, Billy takes us on a love story quest and journey to transcendence, all with the looming question: How important is it to know what is 'real?'
Award-winning Iranian filmmaker Rakshan Banietemad ends her eight-year hiatus from feature filmmaking with this ingenious, mosaic-like narrative, which knits together the stories of seven characters to create a microcosm of Iranian working-class society.
Tells the story of a Thai bachelor named Parin who travels to Hong Kong in search of his missing mother. He encounters a Filipino hotel employee named Iris who helps him navigate love, heartbreak, and healing in the foreign city amid their differences in culture and identity.
