Social & External
Narrator
A manufactured memory.
Lars Winnerbäck is one of Sweden's biggest artists for 15 years. At the same time he is one of those we know least about. Now Winnerbäck celebrates 20 years as an artist, despite barely filling 40. This documentary takes us closer to him than ever, while summarizing a musically unlikely career. But most of all, it gives an insight into an extremely complex human being, with all its weaknesses and characteristics reflecting an entire generation's feelings. In addition to Lars Winnerbäck is featured in the film Rolf Lassgård, Per Gessle and Melissa Horn. Director and producer are Øystein Karlsen, who is behind successes like Dag og Lilyhammer.
A definitive documentary charting the rise and fall of Amicus film productions.
This film tells Jean-Michel's story through exclusive interviews with his two sisters Lisane and Jeanine, who have never before agreed to be interviewed for a TV documentary. With striking candour, Basquiat's art dealers - including Larry Gagosian, Mary Boone and Bruno Bischofberger - as well as his most intimate friends, lovers and fellow artists, expose the cash, the drugs and the pernicious racism which Basquiat confronted on a daily basis. As historical tableaux, visual diaries of defiance or surfaces covered with hidden meanings, Basquiat's art remains the beating heart of this story.
In the summer of 1955, an army of cameramen, lighting techs and movie stars descended on the small, west Texas town of Marfa to film what has become, "the national movie of Texas."
The Ordinary Grand Film is the result of love at first sight with The Ordinary Grand Circus. With film and equipment borrowed from left and right, with the free complicity of all those who appear in the credits, they went on weekends to film a few moments of their tour.
Faceless is a documentary film about the workings of an inpatient psychiatry unit, seen through the eyes of both the patients trying to get well and the staff trying to help them.
Short documentary commissioned by the magazine Présence Africaine. From the question "Why is the African in the anthropology museum while Greek or Egyptian art are in the Louvre?", the directors expose and criticize the lack of consideration for African art. The film was censored in France for eight years because of its anti-colonial perspective.
BURNING MAN: BEYOND BLACK ROCK goes behind the scenes of a social revolution to explore the philosophy that fuels it, the social contract that drives it, and the transcendent experience that makes it a worldwide cultural force. Granted unprecedented access to the inner workings of the Burning Man organization, the filmmakers spent 18 months with the founders, organizers, artists and participants to document the full complexity and diversity of the Burning Man community. But, true to its title, the film goes beyond the city they raise in the desert - revealing the Burning Man's plans to bring its unique culture to the rest of the world. BEYOND BLACK ROCK tells, for the first time ever, the real story of Burning Man - from the inside out.
Filmed on location in Montana and Washington State, this 1976 biography of poet and teacher Richard Hugo features readings of some of his most famous poems as well as interviews with his family and friends.
A documentary about the fascinating and complicated process of the rebuilding of Holland's most famous museum, The Rijksmuseum. The film shows the people behind the scenes during the years of demolition, restoration, and political and financial debate. We witness their efforts, joys and struggles with one goal in common: the love of art.
In the slum of Cité Soleil, President Aristide's most loyal supporters were ruling as kings. The five major gang leaders were controlling heavily armed young men; the Chiméres. The Secret army of President Jean-Bertrand Aristide. "Ghosts of Cité Soleil" is a film about Billy and Haitian 2pac. Two brothers. Gang Leaders of the Chiméres.
At Evergreen Primary School in Wuhan, China, a Grade 3 class learns what democracy is when an election for class monitor is being held. Three children are chosen by the teacher as candidates and they have a few days to campaign and convince their classmates to vote for them. The little candidates are seen at school and at home, where their parents do their best to make sure their child will win the election.
Obesity rates in the United States have reached epidemic proportions in recent years. Killer at Large shows how little is being done and more importantly, what can be done to reverse it. Killer at Large also explores the human element of the problem with portions of the film that follow a 12-year old girl who has a controversial liposuction procedure to fix her weight gain and a number of others suffering from obesity, including filmmaker Neil Labute.
Known for his vibrant reinterpretations of classical portraits featuring African-American men, New York-based painter Kehinde Wiley has turned the practice of portraiture on its head and in the process has taken the art world by storm.
This documentary reveals new insight into events leading up to the attack, focusing on the story of Admiral Husband Kimmel, who was stripped of his rank, forced into obscurity, and accused of negligence.
Todd Loren, whose scandalous series of unauthorized comic book biographies of rock stars enraged and sometimes charmed his subjects, provoked numerous lawsuit threats from the likes of Bon Jovi, Guns N Roses and Skid Row, and eventually led to a landmark First Amendment case, all before he was savagely murdered in 1992. Includes first hand accounts from many of the artists and writers who were inspired and exploited by Loren, along with interviews with Alice Cooper, Mojo Nixon and more.
What is true and what is false in the hideous stories spread about the controversial figure of the Roman emperor Gaius Julius Caesar Augustus Germanicus (12-41), nicknamed Caligula? Professor Mary Beard explains what is accurate and what is mythical in the historical accounts that portray him as an unbalanced despot. Was he a sadistic tyrant, as Roman historians have told, or perhaps the truth about him was manipulated because of political interests?
William Kentridge and Marlene Dumas – two of the most celebrated names in international contemporary art – come face to face in a series of frank, witty and intense discussions about their work and practice. The film follows them from the gentle ambience of a dinner conversation, to their studios – where we are given insight into the way that each artist works – to some of their finished works and installations. What emerges is how very differently these two highly successful South African artists approach image making. Dumas’ method is deeply intuitive – she often works on the floor as though embracing her paintings, pouring and dabbing paint to produce her remarkable portraits. Kentridge is intensely systematic, alternating gestural mark making with the repetitive action of drawing-filming-erasing for his animated films.
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