The Making of Transformers the Premake

The mind process behind the film, Transformers the Premake, explained by Kevin B Lee himself.

The Boundaries

Shenzhen River (the border btw Hong Kong and Shenzhen), and the Second Line of Shenzhen Special Economic Zone (the border between Socialism China and Capitalism China) were compared to the Berlin Wall. The Second Line were constructed June 1982, demolished June 2015. The First Line (Shenzhen River) still flows, running deeper and deeper after 1997. Artist Miaoyuan LONG and Zen LU (the ON/OFF media Group) documented major checkpoints along these two boundaries. It’s a piece to illustrate the Big Escape (Touch Base Policy) from mainland China to Hong Kong during 1950-70’s and the geopolitical history of Shenzhen. The 48min audio-visual live performance version was Official selection of Draft Systems 2017 WRO Media Art Biennale, Poland.

Sarasota Half in Dream

An experimental documentary about dead turtles, crab swarms, decaying tennis courts, and microscopic histories. The filmmakers shot their explorations into the abandoned golf courses, factories, and resorts of Sarasota, Florida and spoke to local youths who are using them for new and strange purposes. What would the Surrealists and Situationists think of a suburban, subtropical tourist town? What goes on in a storage unit in the dead of night? What is the afterlife of a decommissioned train car? What ghosts haunt a ruined hotel? What is the life cycle of a city? When will waters wash it all away?

Drama in the Futurists' Cabaret No. 13

sin título

"The prevailing stigmatization of the 'villero' universe is fed back by the images. In order to dismantle this stigmatization, other images must be presented or we need to reveal what the existing ones seek to cover up. The slum is usually represented from a limited and deceitful visual panorama. This representation has an intention. Cinema and television are two image-producing devices that strengthen the stereotypes that we have about the people who inhabit these spaces. And what happens in the field of painting? Do clichés reign there too? This visual essay seeks to confront various works by national painters and sculptors, belonging to the Palais collection, with the kinetic images of current cinema and television, to reflect on both the differences and the similarities in the meanings and discourses that both regimes of images can produce." César González

Path of Cessation

In PATH OF CESSATION the image that is communicated to us by Fulton is a highly mystifying one. Rather than analyze, or enter into a dialogue with the Tibetan culture that he photographs, Fulton has succumbed to it, and through the process has presented us a work of great surface, as well as formal, beauty.

Diario ruso

Arcadia

A provocative and poetic exploration of how the British people have seen their own land through more than a century of cinema. A hallucinated journey of immense beauty and brutality. A kaleidoscopic essay on how magic and madness have linked human beings to nature since the beginning of time.

LA PELÍCULA DE MENTIRA

Sweet Movie

The winner of the Miss World Virginity contest marries, escapes from her masochistic husband and ends up involved in a world of debauchery.

Rastros que Deixamos

Like a Dream that Vanishes

"Like a Dream That Vanishes" continues Sternberg’s work in film both thematically and formally: the ephemerality of life echoed in the temporal nature of film, as the stuff of life echoed on the energy, life-force in rhythmic light pulses (Your life is like a candle burning). Imageless emulsion is inter-cut with brief shots of natural elements and mise-en-scene of the stages of human life: a little boy runs and falls; teens hang out together at night smoking; sun shines through tree branches; men pace, waiting; flashes of lightning; an elderly man speaks philosophically about miracles.

2 or 3 Things I Know About Her

As the city of Paris and the French people grow in consumer culture, a housewife living in a high-rise apartment with her husband and two children takes to prostitution to help pay the bills.

Discovering Buñuel

Luis Bunuel, the father of cinematic Surrealism, made his film debut with 'Un Chien Andalou' in 1929 working closely with Salvador Dali. Considered one of the finest and controversial filmmakers with, 'L’Age d’Or' (1930), attacking the church and the middle classes. He won many awards including Best Director at Cannes for 'Los Olvidados' (1950), and the coveted Palme d’Or for 'Viridiana' (1961), which had been banned in his native Spain. His career moved to France with 'The Diary of a Chambermaid' with major stars such as Jeanne Moreau and Catherine Deneuve.

Lonesome Cowboys

Five lonesome cowboys get all hot and bothered at home on the range after confronting Ramona Alvarez and her nurse.

James Bearden: Man of Metals

An essay style film in the vein of Orson Welles' "F For Fake" and Jon Jost's "Speaking Directly". From 2011 to 2013, filmmaker Kristian Day randomly documented the art and actions of the award winning metal sculptor, James Bearden. Refusing to make another artist documentary, Day insisted on illustrating Bearden's creative process through surreal and id oriented story telling.

Oachkatzlschwoaf

Words are loaded with meaning. Certain ones conjure joyful memories and others remind us of less happy times. For Nenda Neururer, the word 'oachkatzlschwoaf' invokes a range of emotions. The German word is very hard to pronounce and is synonymous with the Austrian state of Tyrol where locals tease outsiders by asking them to pronounce it. Despite growing up in Tyrol, Nenda Neururer often felt like an outsider when confronted with this word. But when she moved to London she grew nostalgic for it and it became her little secret. Found in Translation is a series made as part of the In The Mix project, in partnership with BBC Studios TalentWorks, Black Creators Matter and the Barbican.

Visions of Europe

Twenty-five films from twenty-five European countries by twenty-five European directors.

The Fall of Communism as Seen in Gay Pornography

Every image in The Fall of Communism as Seen in Gay Pornography comes from gay erotic videos produced in Eastern Europe since the introduction of capitalism. The video provides a glimpse of young men responding to the pressures of an unfamiliar world, one in which money, power and sex are now connected.

Mangúe-Bangúe

The quasi-fictional story of transgender sex workers living in Rio de Janeiro's swampy red light district, who are joined by a group of hippies and a runaway stockbroker, "Mangue-Bangue" is the paradigmatic expression of the post-1968 spirit of desbunde, the Brazilian slang catchword for "sex, drugs, and rock 'n' roll".