Rapidly changing images of natural objects, scenery, animals, plants, and people flicker, flash, tumble, and cascade across the screen.
Social & External
(voice)
Something takes us underground, where gods and monsters are active, amid the ruins of a world they move around with their innumerable hands. Inspired by Fritz Lang and Richard Wagner, Remains is a daydream.
The film juxtaposes/compares two museums: The Museum of Art, Ein Harod, Israel, which Samuel Bickels (1909-1975) built there in 1948, and The Menil Collection in Houston, Texas, built by Renzo Piano (b. 1937) 1986 . The method of natural lighting in Bickelsās construction was the direct model for Piano, who adopted for his construction at the request of its patroness Dominique de Menil.
An experimental journey into nostalgia, media, and ownership.
ABLAZE premiered at the 27th Singapore Film Festival, November 24, 2016
From a small cabin in the mountains of New York, Nina Breeder and Massimilian Breeder begin a journey across the United States. California is just the initial destination, but just as the edge of the surrounding landscape expands, so does their ultimate destination. A contemplation of nature and time along a raw journey in the American landscape.
The second entry in Velu Viswanadhan's series of experimental documentaries. This film traces the Ganges river upstream.
Emak-Bakia (Basque for Leave me alone) is a 1926 film directed by Man Ray. Subtitled as a cinƩpoƩme, it features many techniques Man Ray used in his still photography (for which he is better known), including Rayographs, double exposure, soft focus and ambiguous features. The film features sculptures by Pablo Picasso, and some of Man Ray's mathematical objects both still and animated using a stop motion technique.
A black-and-white visual meditation of wilderness and the elements. Wildlife filmmaker Richard Sidey returns to the triptych format for a cinematic experience like no other.
An experimental film of the group Throbbing Gristle in concert.
Fragments 83 rediscoversāand repurposesāRichard Millen 1983 experimental film If You Canāt Be with the One You Love, shot in Brooklyn and the West Village in the early days of the AIDS epidemic. The resulting documentary explores the hunt for sex/love, the joy of making cinema, and the inexorable passage of time.
After being invited by Benjamin Millepied to a rehearsal for the L.A Dance Project's premiere performance, Oscar-nominated director Alejandro G. IƱƔrritu was inspired to make a video-exercise that documents movement and dance in an experimental way, with a stream of consciousness narrative. The story takes place in a secluded, dusty space and centers around LADP dancer Julia Eichten who seems to be on an eternal search... for herself.
During WWII, the Japanese army developed experimental balloons able to cross the Pacific Ocean and reach the West Coast of North America in 3-6 days. Armed with explosives, they were given the code name fu-go, or fusen bakudan (āfire balloons,ā or balloon bombs) in an attempt to instill a culture of fear like that caused by the far more deadly American firebombing of Japanese cities. The U.S. responded by enacting a censorship campaign, requesting newspapers avoid reports of fu-go landings or sightings. Living near the remains of a fu-go launch site in Fukushima Prefecture, Takeuchi mimics their flight take-off using a drone camera, and, traveling to North America, follows their arrival across the shoreline and rural landscapes, using a batās echolocation as narrative device to place fu-go and Fukushima as echos across history.
A collage of Derek Jarman's super 8 footage spanning over 20 years.
This documentary interweaves films and voice recordings by Maya Deren with interviews featuring colleagues and contemporaries who worked with or knew her firsthand. Drawing on archival material and commentary from figures such as Jean Rouch and Jonas Mekas, the film traces Derenās work and influence across experimental cinema and ethnographic thought.
A psychedelic montage of home movie footage gives way to a silent western story.
This two-color (green-blue and red) film was produced as a demonstration reel at the Paragon Studios in Fort Lee, New Jersey, under the direction of Kodak scientist John Capstaff. It features leading actresses, including Mae Murray, Hope Hampton, and Mary Eaton, posing and miming for the camera to showcase the capability of the complex Kodachrome process to capture their translucent movie star complexions and colorful, high-fashion clothing.
The film begins with a series of horizontally running ocean tide waves, sometimes with mountains in the background, hand-painted patterns, sometimes step-printed hand-painting, abstractions composed of distorted (jammed) TV shapes in shades of blue with occasional red, refractions of light within the camera lens, sometimes mixed with reflections of water. Increasingly closer images of water, and of light reflected off water, as well as of bursts of fire, intersperse the long shots, the seascapes and all the other interwoven imagery. Eventually a distant volleyball arcs across the sky: this is closely followed by, and interspersed with, silhouettes of a young man and woman in the sea, which leads to some extremely out-of-focus images from a front car window, an opening between soft-focus trees, a clearing. Carved wooden teeth suddenly sweep across the frame. Then the film ends on some soft-focus horizon lines, foregrounded by ocean.
A short, experimental documentary featuring sculptures by Alonso de Berruguete and Juan de Juni. Shot within the Valladolid National Museum, the film is an excercise in what Val de Omar called "Tactile vision".
An important early film by Stan Brakhage, which Joseph Cornell commissioned as a record of New York's Third Avenue elevated train before it was torn down. Curiously lacking in people, the film focuses on the rhythms of the ride and reflections in train windows, finding a real-world version of the superimpositions Brakhage would later create in the lab. Preserved by the Academy Film Archive in 2005.
From Angry Bible Thumpers to Infamous Hall H Lines, This is an Appropriated Video Essay Covering the Negative Changes that San Diego Comic Con Has Gone Through This Passed Decade Alone.
Carefully picked scenes of nature and civilization are viewed at high speed using time-lapse cinematography in an effort to demonstrate the history of various regions.
Martin Scorseseās portrait of writer and social commentator Fran Lebowitz, celebrated for her sharp wit and observations on modern life. Filmed at New Yorkās Waverly Inn and intercut with archival footage and interviews, the documentary captures Lebowitzās distinctive worldview through her spontaneous monologues and public appearances.
From a prolific career in film and television, Anton Yelchin left an indelible legacy as an actor. Through his journals and other writings, his photography, the original music he wrote, and interviews with his family, friends, and colleagues, this film looks not just at Anton's impressive career, but at a broader portrait of the man.
An inside look at one of the most anticipated movie sequels ever with James Cameron and cast.
A visual montage portrait of our contemporary world dominated by globalized technology and violence.
The Making-of James Cameron's Avatar. It shows interesting parts of the work on the set.
A purely observational non-fiction film that takes viewers into the ethically murky world of end-of-life decision making in a public hospital.
A look at the fight choreography being developed for the film.
Follow the evolution of the 'Halloween' movies over the past twenty-five years. It examines why the films are so popular and revisits many of the original locations used in the films - seeing the effects on the local community. For the first time, cast, crew, critics and fans join together in the ultimate 'Halloween' retrospective.
Those who knew iconic funnyman John Candy best share his story, in their own words, through never-before-seen archival footage, imagery, and interviews.
A portrait of the day-to-day operations of the National Gallery of London, that reveals the role of the employees and the experiences of the Gallery's visitors. The film portrays the role of the curators and conservators; the education, scientific, and conservation departments; and the audience of all kinds of people who come to experience it.
With mesmerizing footage and time lapses of animators at work, this behind-the-scenes special captures the artistry of a unique tale years in the making.
Through deeply personal interviews with her siblings and an examination of the photographs, letters, and belongings left behind, Mariska assembles a new portrait of her mother Jayne Mansfield, an extraordinary and complex woman.
The definitive portrait of one of sport's most inspirational, influential figures - whose legacy lives on far beyond the football field.
A documentary about the making of David Fincher's 2008 film THE CURIOUS CASE OF BENJAMIN BUTTON. Virtually every element in the evolution of the Fincher's film is documented here, from the project's attachment to numerous other directors during the 1990s, to its shoot in 2006 and 2007 in New Orleans, to its complex, CGI-intensive postproduction process.
After the high-profile killing of Damilola Taylor, Cornelius' family move out of London. But when they discover their new town is run by racists, Cornelius takes a drastic step to survive.
Behind the scenes look at fight choreography and action training.
A documentary about the making of season five of the acclaimed AMC series Breaking Bad.
A documentary on the life of John Lennon, with a focus on the time in his life when he transformed from a musician into an antiwar activist.
Film adaptation of French economist Thomas Piketty's ground-breaking global bestseller of the same name: an eye-opening journey through wealth and power.
