As thousands of migrants attempt to cross the French-Italian border on foot through treacherous mountain routes, the state cracks down on the local communities that come to their aid in this revealing look at an unfolding human rights crisis.
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The protagonists of this docudrama are old farmers who migrated to Banat after the First World War, in 1922. The film is focused on a couple of important events in their impressive lives, which are woven into lively scenes and stories full of wise instances. Their statements become spontaneous recounts of the lives of people in this region.
This documentary follows various migratory bird species on their long journeys from their summer homes to the equator and back, covering thousands of miles and navigating by the stars. These arduous treks are crucial for survival, seeking hospitable climates and food sources. Birds face numerous challenges, including crossing oceans and evading predators, illness, and injury. Although migrations are undertaken as a community, birds disperse into family units once they reach their destinations, and every continent is affected by these migrations, hosting migratory bird species at least part of the year.
Flora and Louise met in Yaoundé (Cameroon). They fell in love and ever since then have never left each other's side. By pushing open the door of the nonprofit housing them, I discovered the story behind their refugee status and the reasons behind their exile.
An absurd game of “finding happiness” is being played by local Latvian coyotes* and illegal immigrants on the Russian and the European Union border. It is a game with no winner – all participants are driven to play by the sense of despair. While one side leaves home and undertakes a perilous journey to the other side of the globe, hoping to spend the rest of their lives in a free country, the other side risks their freedom to earn a chance to stay right where they are, in their homeland. *coyote – someone who smuggles illegal immigrants
Peter LeDonne and Steve Kalafer chronicle the extraordinary life of Immaculée Ilibagiza, a young African woman who escaped genocide in Rwanda and ultimately found refuge in the United States. Seeking shelter with an Episcopalian minister, Immaculée hid from her attackers inside a bathroom for three long months but stayed centered through prayer and faith.
Enrico Naso is an undertaker in Lampedusa. Constantly confronted with the death that lurks everywhere on this remote rock in the middle of the Mediterranean Sea, Enrico has chosen life, immersing us in what it means to be human.
In this documentary about friendship and perseverance, three young transgender women from El Salvador and Honduras go on a 2,400-mile journey with the high-profile migrant caravan. These women, strangers at the outset and fleeing extortion, discrimination, and abusive relationships, endure hardship as they slowly make their way to the US, teaming up with other trans girls along the route and integrating with the caravan’s LGBTQ community.
Cédric Herrou is a farmer who supports and houses African refugees in the alpine village of Breil-Sur-Roya in southern France. Some regard him as a heroic good Samaritan, but others – including the French border police and state prosecutor – denounce him as the leader of a band of smugglers, bringing migrants from Italy into France while flouting official border controls. As Cedric moves from one prosecution to another, why do he and his fellow activists feel compelled to defy the authorities?
While millions of birds migrate freely in the skies above, Fadia, a Palestinian refugee stranded in Lebanon, yearns for the ancestral homeland she is denied. When a chance meeting introduces her to the director, Sarah, she challenges her to find an ancient mulberry tree that once grew next to her grandfather’s house in historic Palestine, a tree that stands witness to her family’s existence.
Firas, Jallow and Batoul just arrived in Berlin. They meet one another in a theatre group. They are searching for the good life in Germany - yet things don’t turn out the way they hoped. Through video letters, they reveal their deepest emotions to their families and friends back in their war-torn or poverty-stricken home countries.
Refuge(e) traces the incredible journey of two refugees, Alpha and Zeferino. Each fled violent threats to their lives in their home countries and presented themselves at the US border asking for political asylum, only to be incarcerated in a for-profit prison for months on end without having committed any crime. Thousands more like them can't tell their stories.
Cambodian refugee Ted Ngoy builds a multi-million dollar empire by baking America's favourite pastry: the doughnut.
A courageous pastor uses his underground network to rescue and aid North Korean families as they risk their lives to embrace freedom.
Women from Turkey and Mecklenburg are working together side-by-side at a fish-processing factory in Lübeck. As they work, they share stories about their lives, including their sorrows, griefs, hopes, and dreams, while expressing their longing for home and feelings of being lost in a foreign place.
In search of the lucrative matsutake mushroom, two former soldiers discover the means to gradually heal their wounds of war. Roger, a self-described 'fall-down drunk' and sniper in Vietnam, and Kouy, a Cambodian refugee who fought the Khmer Rouge, bonded in the bustling tent-city known as Mushroom Camp, which pops up each autumn in the Oregon woods. Their friendship became an adoptive family; according to a Cambodian custom, if you lose your family like Kouy, you must rebuilt it anew. Now, however, this new family could be lost. Roger's health is declining and trauma flashbacks rack his mind; Kouy gently aids his family before the snow falls and the hunting season ends, signaling his time to leave.
The parallel stories of four Pakistani immigrants in Greece become the trigger for the director to explore the story of his father, a worker in the Perama Shipyard. The background unfolds a most deadly shipwreck, Libyan immigrants found in limbo, as well as a (possibly racist) crime, which was committed during the shooting of this film.