The best italian film of the 90's, the most extreme and radical work since SALO', a ruthless representation, in a surreal-metaphorical key, of a civilization condemned to worshipping its own blindness. The two sicilian directors use a language free from compromise and from the traditional storyline rules: the movie is photographed in a sharp and very contrasting black & white, with no beautiful pimp music, and lacks a logical story. There are no women (the ones we see are actually men), and the language is strict sicilian dialect. The directing style is characterized by long fixed shots on a post-atomic world, which is really present-day Palermo, inhabited by fat people in socks and underwear who burp and fart while roaming around smelly alleyways and waste dumps.
Zio di Brooklyn
Don Masino
Gaetano Gemelli
Totò Gemelli
Iachino Gemelli
Ciccio Gemelli
Sarino
San Polifemo
Il Mago Zoras
Paliddu
La Nana
Madre del mago Zoras
Cantante
Vendicatore
Custode cinema
Cantante fallito
Guardiano dei cani
Guida
Uomo che cerca Pedro
Guardia di Don Masino
Mariano u' 'ngrasciatu
U' capitanu
Primo prigioniero
Secondo prigioniero
Boss Nano
Secondo Boss Nano
Himself
Bit Part
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