An absurdist theatre piece by Dutch comedy duo Rundfunk. A collection of original sketches and songs.
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Registration of the fourth solo program by the Dutch comedian Hans Sibbel, in which the comedian takes a look at the evolution.
Registration of the eight theatre program by the Dutch comedian Richard Groenendijk.
Registration of the sixth comedy special by the Dutch comedian Eric van Sauers.
Ten years, three theater shows, and a best-of show later. A decade has flown by, and his thirtieth birthday is slowly creeping closer. But has Xander De Rycke learned anything over the past few years? Has he actually grown up, or does he just think he has? Flanders' best observational comedian is back and ready for the next step. With a head full of twists and turns, a bunch of colorful references, and an eye on the future, Xander De Rycke is back with "Quarter-Life Crisis." A show with relatable moments about life. Or at least a quarter of it.
A video-registration of the revue/cabaret show 'Showponies 2' by the Alex Klaasen Revue. In this sequel to the first Showponies-show, Alex Klaassen explores to what extent he cares about what (the still quite heteronormative) society thinks. Klaassen considers coming out for a second time, because he feels like he has ended up in a second closet after his first coming out.
The first solo show of Dutch comedian Hans Teeuwen, the comedian is super-nervous and tells sad stories about past unfortunate love, loneliness and prejudice, accompanied solely by him playing the piano.He also tells tales about a fox, a scarecow, the young girl and the Seven Turkish an the Bible.
In his third theatre program the Dutch comedian Hans Teeuwen plays with empty wine bottles, little girls and himself. Poetic, absurd, false and genuine.
Registration of the fourth theatre program by the Dutch comedian Theo Maassen.
Jochem's decor consists of Trivial Pursuit pieces, each of which represents a dream. He talks about his school trip, his girlfriends, and family members, each of whom he gives an absurd characteristic. A recurring theme throughout his story is his cheerfulness and positivity. He calls this the Yee-Haa! feeling.
Registration of the pantomime show of the same name. A starving shipwrecked sailor is picked up by a rusty whaler. No one can imagine that this is the beginning of the end.
The tour for "Zorg dat je erbij komt" was completely sold out. For three shows at the Meervaart, more than 150,000 people wanted tickets in just one weekend!
The surrealist adventures of Urbanus interacting with the world around him.
With the world changing faster than ever, comedian Peter Pannekoek shares his thoughts about power, evolving gender relations and the times ahead.
The perfect way to get acquainted with Philippe Geubels' infectious humor or to relive a wonderful evening of live stand-up comedy.
Youp van 't Hek cheerfully flits between the following four questions: What are we willing to die for? How high will we rise in heaven? What does heaven have to offer us? Why is life on earth such hell for so many people? Youp doesn't give any real answers because he simply doesn't know them, but his jokes do lighten the mood.
Maassen won two of the biggest comedy contests in the Netherlands in 1990, the Groninger Studenten Cabaret Festival(GSCF), and Cameretten. The GSCF jury was not pleased with the quality of the contestants that year, and gave Maassen the first prize, remarking he was the best of the year, but still not very good. In the following years, however, Maassen fame grew steadily, especially amongst students. Maassens style was based on stand-up comedy: Alone on stage, telling jokes and stories to amuse the public, without any musical support (a thing common for most Dutch comedians up to that point). Since 2000, Maassens shows are shown on Dutch national television, making him more and more a household name.
Teeuwens fifth stand-up show is about love. Small, large, hidden, the physical, the famous and the improper love. Hans Teeuwen unravels that love into forms that you do not recognize, but can very surely sense.