A short film on the traditional art and craft of making the musical instruments Sitar and Tabla.
Social & External
With only music and images, this film captures the grim struggle for existence of a family of unskillled labourers working on the construction of a new building.
The documentary film is about the Film and Television Institute of India including the views expressed by students, staff and Ex-Director Shri Jagat Murari. The filmmakers from the institute are 'Rays of Hope' for the alternative or New Indian Cinema.
With the severe drought and lack of jobs, Aagaswadi village’s youth are forced to leave home for the city. Desperate for water, Bhimrao digs a well. This documentary follows the people of Aagaswadi’s struggles against the drought and its negative impact.
Maya is a teenager young girl who is working as a housemaid in a rich family. She is required to do all household work and also look after a small child. She toils from dawn to dusk and cannot get peaceful sleep. She, therefore, wants to get rid of it. One night, she kills the child in the cradle and then, relieved of her burden, quietly sleeps on the ground.
These poor people find that their lives, hopes, desires and even dreams are ruled by the powerful. They are deprived of their natural spontaneity and thought process. As a consequence, the victim's action and reaction is programmed and they are performed mechanically as a ritual. In this film, a family of three falls victim to a middle-aged officer, who controls their lives. The woman is thrown in prison, the man becomes a toy in the hands of the officer and their child looks on innocently.
In modern society, communication between individuals is becoming more and more difficult. Two persons may be in the same physical environment, yet it seems that a Glass Pane - invisible but strong, and very much there separates these individuals. Almost Antonioniesque in its composition, this short film is a study of a married couple who are unable to communicate with each other.
Sanjay and Ritu meet after two months. While Sanjay is eager to meet her, he falls short of words when they actually meet. They try to make the best use of the passing moments by making purchases and visiting restaurants but both of them realise that their relationship is a thing of the past and become conscious of the growing distance between them.
A man (psychopath), walking around isolated roads at night, encounters a woman who triggers off his childhood memories of torturing and killing a rat, and further leads him to slash another woman - a hooker to death. He has another encounter with the first woman, this time interacting with her - albeit in an unusual manner over a game of SCRABBLE. This leads to passion between the two and... it is the woman who is seen washing up and cleaning the blood off her hands.
a light comedy about a slovenly young man warned in the nick of time of the imminent visit of his fiance and prospective father-in-law. In the process of tidying up his room, Ravi's frantic efforts to start from one side end up in disturbing the other. Now, Ravi is certain that he will never receive the old man's approval to marry his daughter. But being a dentist, the old man approves Ravi for his well-set teeth.
Ramesh is a poorly paid employee in the city Power House. His only child has high temperature, but he mistakes it for common fever. At the Power House, employees including Ramesh demand a pay rise. When the management turns down this demand, they plot to turn off the main switch of the Power House for a few minutes in order to teach a lesson to authorities. Ramesh is entrusted with this job. In the meantime, the doctor takes the decision to immediately operate on Ramesh's child. Ramesh is not aware of this. In the Power House, Ramesh turns off the main switch. The lights go off in the operation theatre too...
The film looks into the inner layers of the mind and heart of a young man who has loved a girl but has lately developed some sort of misunderstanding with her. Inspite of the youthful love and affection they have had for each other, the girl suddenly refuses to meet him anymore. The boy is at a loss to understand why.
A girl comes to Karla Caves to meet her lover planning to elope with him. She waits for a long time, but her lover does not turn up. All of a sudden, her attention is drawn towards a massive statue of a male and a female entwined in each other's arms. She feels as if the carved image is conveying the message of the noble relationship between man and woman. As she wanders about in the caves, she realizes that it is shameful and cowardly to run away with her lover. She has been transformed.
A man leaves his house. Another applies for leave in his office. A third finishes his tea. Another gets himself shaved. All four are fresh entrants in the world of crime: kidnapping to be more precise. But the father of the kidnapped boy refuses to pay up. The son has already played this trick before and collected good ransom. The father does not believe this time it is a real thing; The kidnappers get desperate. The son has in idea. The plot thickens.
A cynical young man and a romantic young womanencountered each other on a night bus journey. Eachspins a story around the other. It turns out that she isgoing to meet someone, she has never seen before. Heis apprehensive. She herself is not so sure.
The passage from adolescence to youth is a phase during which a girl emerges in a distinctive period of her life to another significant phase. Most often there is a synchronous transition in her physical state with that of her emotional state of mind. This film poignantly depicts such a transition in a girl's life. Her changing attitudes towards her playmates, and objects around are brought out very vividly in this film.
People are involved in daily encounters without ever being aware of how they are connected with one another. A taxi reveals all.
A call from 'Who Wants to Be a Millionaire' transforms the life of a humble Indian farmer, as he, along with his family and village, embarks on a journey to discover the true meaning of winning.
Shama and Ravi are members of a Marxist party. Shama loves classical Indian music, a luxury of a few, and Ravi is in love with quotations and the philosophy of Marx - a need of the masses. Due to a strike, Ravi is compelled to work full-time for the party. Shama decides to give up music reluctantly and joins Ravi.
Rajan, a weary factory worker, endures grueling shifts and a volatile home life, drifting through sleepless nights in the city as he tries to reclaim the rest that always seems just out of reach.
Sudhir - staying in a city without family roots - symbolizes the need for commitment in all young, sensitive and thinking individuals all over the world. The family is a fast-disintegrating social institution and Sudhir's Saturday night represents a true 'dolce vita' - without Fellini's irony, but sickly and sweet. The ridiculously elementary encounter with a mother prostitute as well as his final grandiose speech to the little runaway boy lose their power — and induce a facile fulfillment.
