Hungarian tales around the end of the regime(s).
Social & External
Unknown Role
Three short stories ("Zelenáči 1945", "Silvestr 1948" and "Zimní vítr 1951") about members of the SNB units guarding the Šumava border in the post-war years. Ivo Toman had artistic supervision over the debutants. The theme of the third short story was made in 1959 for the film "Entry Forbidden" by František Vláčil, who was also starting at the time.
Wahyu, a young homosexual, tries to satisfy his sexual desires with a boarding school student but is accidentally discovered by a deaf student who makes it difficult for him to carry out his actions.
Set against the backdrop of Iran's strict and oppressive legal system, this anthology film tells the stories of four men who each face a moral crisis when having to deal with death penalties.
30 years of freedom = 30 authors = 30 minutes of films. A unique project of Reflex magazine and Czech Television, which in honor of the 30th anniversary of the Velvet Revolution reflects many forms and understanding of freedom. Various personalities of the Czech cultural sphere have made their minute films.
An anthology of eleven vignettes featuring star-studded casts of extremely unique individuals who all share the common activities of conversing while drinking coffee and smoking cigarettes.
A member of an elite paramilitary counter-terrorism unit becomes traumatized after witnessing the suicide bombing of a young girl and is forced to undergo retraining. However, unbeknownst to him, he becomes a key player in a dispute between rival police divisions, as he finds himself increasingly involved with the sister of the girl he saw die.
Corruption, betrayal and vendettas are the focus of this crime drama that stars Julio Diaz as Dado, a man who prefers a quiet life over troubling himself on the ongoing injustice in society. This soon changes when it becomes personal and awakens his will to fight.
Shun and Nagisa first meet and fall in love during their first year of high school. While Shun is graduating from university, Nagisa tells him that he doesn't see a future for them. Despite Shun's strong feelings, they go their separate ways. Years later, Shun is now a store owner, living alone in a rural area. Out of the blue, Nagisa arrives with his six-year-old daughter, Sora. Spending time together, Shun realizes he still harbors feelings for Nagisa. Can Nagisa reconcile with his feelings for Shun, which have been there all along?
A highly experimental film presenting a story out of chronological order taking place 15 years after a near-apocalyptic catastrophe, about four traumatized 14 year olds who are tasked with piloting massive humanoid decisive weapons called Evangelion, the psychologically maladjusted adults who handle and command them, and the events and forces that affect them or which they take part in as they engage massive hostile invaders known as "Angels."
An anthology of one-minute films created by 51 international filmmakers on the theme of the death of cinema. Intended as an ode to 35mm, the film was screened one time only on a purpose-built 20x12 meter public cinema screen in the Port of Tallinn, Estonia, on 22 December 2011. A special projector was constructed for the event which allowed the actual filmstrip to be burnt at the same time as the film was shown.
A group of advocates to end homelessness organize an annual tournament for homeless people to compete in a series of football matches known as The Homeless World Cup.
The second Gulf War from 1990 to 1991 represents in the collective Arab memory a turning point in regards to the Arab nationalism’s self-perception as well as a moment of deep historical and existential insecurity. Five Arab directors discuss the events from their personal perspective.
A comic study of 20th-century history, reconstructing the life of writer, creator and professional prisoner Tulse Luper. Born in 1911 Newport and last heard of in 1989, Luper’s life is pieced together from the evidence found in 92 suitcases scattered across the globe. In the first of three parts, we follow Luper through three distinct episodes: as a child during the First World War; as an explorer in Mormon Utah; and as a writer in Belgium during the rise of fascism.
A comic study of 20th-century history, reconstructing the life of writer, creator and professional prisoner Tulse Luper. Born in 1911 Newport and last heard of in 1989, Luper’s life is pieced together from the evidence found in 92 suitcases scattered across the globe. In the second of three parts, we follow Luper as he works in a cinema, giving him ample opportunity to cross paths with virtually every artistic device and dramatic character known to man.
A comic study of 20th-century history, reconstructing the life of writer, creator and professional prisoner Tulse Luper. Born in 1911 Newport and last heard of in 1989, Luper’s life is pieced together from the evidence found in 92 suitcases scattered across the globe. In the final installment, Luper continues his adventures as a professional prisoner during the later years of the Second World War and the Cold War.
A comic study of 20th-century history, reconstructing the life of writer, creator and professional prisoner Tulse Luper. Born in 1911 Newport and last heard of in 1989, Luper’s life is pieced together from the evidence found in 92 suitcases scattered across the globe. A Life in Suitcases condenses the six-hour trilogy into a single two-hour feature, and in doing so, accentuates the project as a filmic essay in multiple narratives, listings, sidebars, footnotes, commentaries and anecdotes; a project for an Information Age ready to understand that there never is a phenomenon called History, there can only be Historians, gatekeepers to vested interests.
Victor Frankenstein witnesses his creation turn uncontrollable after he's duped by his associate, Dr. Polidori.
A young woman's life is shattered into pieces when her husband slaps her at a party, causing her to question what this relationship stands for.
In three separate segments, set respectively in 1966, 1911, and 2005, three love stories unfold between three sets of characters, under three different periods of Taiwanese history and governance.
