denim and the 2000s
Social & External
A typical experimental film, in which a variety of audiovisual techniques are used to create the sense of polymorphic eroticism as developed by European and Mediterranean cinematography of the 20th century. Combining the methods of “animation” and “live action”, this intricate work embodies the idea of an “ars combinatoria”. The structure is loose, with neither a central axis nor a point where everything converges, contributing greatly to the open-ended character of the film, where rhythm is the key element.
Film directed from the play "Orpheon", directed by François Tanguy, played by the Compagny of Raft.
"The Role of Chance" ("La part du hasard") focuses exclusively on drawing and painting techniques used by the painter Henri Dimier. Shot over several weeks in the same artist's studio, the film shows works in their different phases, processes rarely explained or little known. It also addresses many practical issues (choice of paper, pigment grinding, reports drawings, put the tiles, cliches, etc) as well as broader questions of method and inspiration (use of space, the role of contours, power of suggestion perspectives, use of random processes). Patrick Bokanowski sought with this film to restore the spirit of this teaching, showing how to bend a note or sometimes revealing an essential mystery of creation.
A figure known as "The Assassin" descends from the heavens into a nightmarish pit full of monsters, titans, and cruelty.
2018 short film by Patrick Bokanowski
Choreography of an imaginary journey.
A blind man accidentally loses his guide-dog. Alone in the dark in a big city, he discovers that his strength lies in recognising his own vulnerability.
Souvenirs, memories, nostalgia, alienation, the ephermal quality of life ...these are the subjects of this animated diary. The film is not made in the usual way (screenplay, storyboard) and was born at the moment when the author sat at his desk and began animating.
Experimental film by Patrick Bokanowski.
A 5 minute, 2D, straight-ahead animated film by Bruce Bickford.
In 2013, the Apache helicopter's targeting systems were updated from standard definition black and white to high-resolution color video, touted as a boost to pilot safety and U.S. military dominance.
A collaborative experiment between 14 artists around the globe. Each artist creates a background, All backgrounds are traded randomly, and then animated upon freely.
Conceived, drawn and animated live by a team of patients from a psychiatric clinic, this achievement presents, in the eyes of its author, less interest on a purely cinematographic level than on that of human experience. It is the disturbing wordless story of a woman and a man living in a strange setting where objects are endowed with life that they have chosen to tell us through this theater of shadow puppets in cut out figurines. Their characters will know a tragic fate since carried in the air by balloons, they will finally be devoured by a horrible dragon.
A study of human anxieties about beauty, youth and objectification.
The climbing of an immense staircase made up of the most varied stairs. Symbolic scenes occur on different levels where characters seem to be prisoners of their deeds and of their own folly. The steep staircase leads little by little towards the zones of great light where human beings and nonhuman beings meet.
Video Weavings is a link between the modern (video) and the ancient (weaving) technologies. Video Weavings are based on poetic mathematical rhymes, or algorithms, visualized in real time on the warp and weft of video's horizontal and vertical scanning electron beams, color phosphors, plasma cells, and LCD pixels.
Abstract computer animation set to autoharp solo music composed and performed by Jordan Belson
Here There gives graphic form to memory’s malleable, straying lines. It begins as a traveler’s sketchbook, drawn in Croatia in the summer of 2014, but details soon fade away into abstract impressions on the edges of memory. This film is a reduction to the essence, a condensed feeling of one place and time.
The Asphodel Phases takes the viewer on a drifting exploration through a mysterious, abstract space, towards something alien deep within.
‘Our Selves Unknown’ takes the book ‘Landscape in Distress’ as its raw material, reconfiguring its photographic illustrations, text and cover design into pencil and ink drawings, using a working process of self-enforced rules and restrictions, obstacles and chance.
