Social & External
Himself
Herself
Oxana is a woman, a fighter, an artist. As a teenager, her passion for iconography almost inspires her to join a convent, but in the end she decides to devote her talents to the Femen movement. With Anna, Inna and Sasha, she founds the famous feminist group which protests against the regime and which will see her leave her homeland, Ukraine, and travel all over Europe. Driven by a creative zeal and a desire to change the world, Oxana allows us a glimpse into her world and her personality, which is as unassuming, mesmerising and vibrant as her passionate artworks.
A twelve year old boy, living in a "yurt" but in love with hip hop and computer games is caught between modernity and tradition, aspirations and poverty and decides to become a Buddhist monk.
INTENT TO DESTROY embeds with a historic feature production as a springboard to explore the violent history of the Armenian Genocide and legacy of Turkish suppression and denial over the past century.
A medium-length documentary commissioned by the Cuenca City Council. The documentary shows an honest, sincere, although sometimes mere tourist portrait, of the lands of Cuenca and its people, without artifice or imposture, with feeling and authenticity and at the same time with marked coldness.
From the unique vantage point of 200 miles above Earth's surface, we see how natural forces - volcanoes, earthquakes and hurricanes - affect our world, and how a powerful new force - humankind - has begun to alter the face of the planet. From Amazon rain forests to Serengeti grasslands, Blue Planet inspires a new appreciation of life on Earth, our only home.
Elem Klimov's documentary ode to his wife, director Larisa Shepitko, who was killed in an auto wreck.
Memories of his four-year journey focused on the Hong Kong protests. Narrated in the first person, is rich with reflections and contemplations, most intertwined with feelings of guilt.
Filmmaker Carol Nguyen interviews her own family to craft an emotionally complex and meticulously composed portrait of intergenerational trauma, grief, and secrets in this cathartic documentary about things left unsaid.
When internationally renowned Haida carver Robert Davidson was only 22 years old, he carved the first new totem pole on British Columbia’s Haida Gwaii in almost a century. On the 50th anniversary of the pole’s raising, Haida filmmaker Christopher Auchter steps easily through history to revisit that day in August 1969, when the entire village of Old Massett gathered to celebrate the event that would signal the rebirth of the Haida spirit.
An exploration —manipulated and staged— of life in Las Hurdes, in the province of Cáceres, in Extremadura, Spain, as it was in 1932. Insalubrity, misery and lack of opportunities provoke the emigration of young people and the solitude of those who remain in the desolation of one of the poorest and least developed Spanish regions at that time.
A location tour of the Rocky filming locations in Philadelphia.
'Coffea arábiga' was sponsored as a propaganda documentary to show how to sow coffee around Havana. In fact, Guillén Landrián made a film critical of Castro, exhibited but banned as soon as the coffee plan collapsed.
Rare, medium rare, medium, medium well and well done. Through intimate and personal stories, five women share their experiences in relation to the body, from childhood to old age.
A comic, biting and revelatory documentary following a small group of prankster activists as they gain worldwide notoriety for impersonating the World Trade Organization (WTO) on television and at business conferences around the world.
In the aftermath of a tragic fire in a Romanian club, burn victims begin dying in hospitals from wounds that were not life threatening. A team of investigative journalists move into action uncovering the mass corruption of the health system and of the state institutions. Collective follows journalists, whistle blowers, and authorities alike. An immersive and uncompromising look into a dysfunctional system, exposing corruption, propaganda, and manipulation that nowadays affect not only Romania, but societies around the world.
Scratches. Cross-outs. Stripes. Arnaud is tirelessly attacking ancient masters' painting reproductions with the tip of his pen. His free and living interlaces highlight shapes and figures.
Two queer Brazilians go skinny dipping in a lake where they talk about love, sex, colonialism and migration, on a pandemic summer afternoon in Berlin.
This investigation into the layers of mass incarceration and its shaping of the modern black American family is seen through the eyes of a single mother in New Orleans, Louisiana.
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