An experimental film about the relation of Time and Space.
Social & External
Actor
Rae Ripple, a welder from the outskirts of West Texas transforms neglected metal into works of art and in the process finds healing from her traumatic past.
It has been said that 10,000 years from now only one name will still be remembered, that of Neil Armstrong. But in the four decades since he first set foot on the moon, Armstrong has become increasingly reclusive. Andrew Smith, author of the best-selling book Moondust, journeys across America to try and discover the real Neil Armstrong. He tracks down the people who knew Armstrong, from his closest childhood friend to fellow astronauts and Houston technicians, and even the barber who sold his hair, in a wry and sideways look at the reluctant hero of the greatest event of the 20th century.
Flubs and bloopers that occurred on the set of some of the major Warner Bros. pictures of 1947.
Through a powerful visual metaphor, Camille Vigny gives a first-person account of the domestic violence she suffered. The images and text interact with remarkable precision to convey the devastating impact of the cataclysm. It's a political gesture, brimming with courage, an icy cry that takes your breath away.
In this home movie collection of gay men, memory serves as an act of hope, power, and above all, resilience.
This documentary film is a celebration of Washington DC, Maryland, and Virginia (DMV) and the Black artists driving music culture forward.
A short documentary exploring the ways LGBT couples show affection, and how small interactions like holding hands in public can carry, not only huge personal significance, but also the power to create social change.
Short documentary film on the fashionable nightclubs and the trendy pop culture scenes that were famous in London on the late 70's. Released as a support feature to the first Alien (1979) movie.
After consolidating itself as a tourist destination in the mid-1960s, this small coastal village has become the dormitory town for the workers of a Nuclear Power Plant. With the liberal promise of prosperity and socioeconomic wellfare, many workers left their homes to move to the small city and started working at the new Nuclear Power Plant. The collective unrest and the silence, cut off by the great gusts of wind, articulate the landscape of the village that is now under the aid of the Nuclear Power Plant.
Lost Worlds looks at untouched aspects of nature in parts of the world where humans rarely tread. From plants, to animals, to geology, this artfully photographed documentary presents facets of the biological world that you are not likely to see anywhere else.
Comets pose one of the greatest threats to life on Earth - a threat that can only be countered if we find out more about them. In 2005, in an audacious bid to do just that, NASA scientists launched a space probe to collide with a comet in the emptiness of deep space. This film follows the amazing story of mission Deep Impact, from its inception through to the final nail-biting moments when the probe and comet Tempel 1 met head-on.
Made on a wind-up Bolex camera, The Sound of Seeing announced the arrival of 21-year-old filmmaker Tony Williams. Based around a painter and a composer wandering the city (and beyond), the film meshes music and imagery to show the duo taking inspiration from their surroundings.
An experimental portrait of Fernando Fernán Gómez, one of the most renowned Spanish artists of all time.
There is romance in every corner we turn. In this sequel to the documentary, Old Places, Old Romances takes us on a journey to experience Singapore through the collective voices of ordinary Singaporeans. Through their voices, we hear personal stories from members of the public who shared their anecdotes on radio. Everyday spaces come alive with these special memories, which are bonded forever with these places. Old Romances is a journal of love letters to places that we grew up with.
This is a documentary film on the romantic and decadent atmosphere of Venice at the end of the 18th century. A vigorous comment by Jean Cocteau tells us of the sick souls and the sorrows of literary characters and musicians who lived the dream of this city. It is the Venice of Lord Byron, Alfred de Musset, George Sand, d'Annunzio; a Venice made of precious images, palaces reflected in the water, mysterious moonlights, little squares where unhappy lovers wander under the music of Richard Wagner.
After a traumatic encounter, a young gay Egyptian joins the LGBT rights movement. When his safety is jeopardized, he must choose whether to stay in the country he loves or seek asylum elsewhere as a refugee. "Half a Life" is a timely story of activism and hope, set in the increasingly dangerous, oppressive, and unstable social climate of Egypt today.
Six fearless surfers travel to the north coast of Iceland to ride waves unlike anything they've ever experienced, captured with high-tech cameras.
Sergio Citti talks about a video he shot in 1975 after Pier Paolo Pasolini's death.
Good Morning in Singapore.
Daniel Craig candidly reflects on his 15 year adventure as James Bond. Including never-before-seen archival footage from Casino Royale to the upcoming 25th film No Time To Die, Craig shares his personal memories in conversation with 007 producers, Michael G Wilson and Barbara Broccoli.
After a dreadful incident coupled with an ungovernable paroxysm of violence, a butcher will fall into a downward spiral that will burn to the ground whatever dignity still remained in him.
Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.
John Shepherd spent 30 years trying to contact extraterrestrials by broadcasting music millions of miles into space. After giving up the search, he makes a different connection here on earth.
This is a hand-painted film which has been photographically step-printed to achieve various effects of brief fades and fluidity-of-motion, and makes partial use of painted frames in repetition (for "close-up" of textures). The tone of the film is primarily dark blue, and the paint is composed (and rephotographed microscopically) to suggest galactic forms in a space of stars.
A look behind the lens of Christopher Nolan's space epic.
A celebration of the universe, displaying the whole of time, from its start to its final collapse. This film examines all that occurred to prepare the world that stands before us now: science and spirit, birth and death, the grand cosmos and the minute life systems of our planet.
Amber Heard and Nicole Kidman discuss their characters Mera and Atlanna.
A purely observational non-fiction film that takes viewers into the ethically murky world of end-of-life decision making in a public hospital.
Something is about to change drastically, and the only thing to do is to witness it.
I made this film especially for you. I needed to check in with you. I needed to tell you how I feel.
Filmmaking icon Agnès Varda, the award-winning director regarded by many as the grandmother of the French new wave, turns the camera on herself with this unique autobiographical documentary. Composed of film excerpts and elaborate dramatic re-creations, Varda's self-portrait recounts the highs and lows of her professional career, the many friendships that affected her life and her longtime marriage to cinematic giant Jacques Demy.
Carefully picked scenes of nature and civilization are viewed at high speed using time-lapse cinematography in an effort to demonstrate the history of various regions.
In Le Livre d’Image, Jean-Luc Godard recycles existing images (films, documentaries, paintings, television archives, etc.), quotes excerpts from books, uses fragments of music. The driving force is poetic rhyme, the association or opposition of ideas, the aesthetic spark through editing, the keystone. The author performs the work of a sculptor. The hand, for this, is essential. He praises it at the start. “There are the five fingers. The five senses. The five parts of the world (…). The true condition of man is to think with his hands. Jean-Luc Godard composes a dazzling syncopation of sequences, the surge of which evokes the violence of the flows of our contemporary screens, taken to a level of incandescence rarely achieved. Crowned at Cannes, the last Godard is a shock film, with twilight beauty.
Recovering from an attempted suicide, a man is selected to participate in a time travel experiment that has only been tested on mice. A malfunction in the experiment causes the man to experience moments from his past in a random order.
A creation myth realized in light, patterns, images superimposed, rapid cutting, and silence. A black screen, then streaks of light, then an explosion of color and squiggles and happenstance. Next, images of small circles emerge then of the Sun. Images of our Earth appear, woods, a part of a body, a nude woman perhaps giving birth. Imagery evokes movement across time. Part of the Dog Star Man series of experimental films.
Emak-Bakia (Basque for Leave me alone) is a 1926 film directed by Man Ray. Subtitled as a cinépoéme, it features many techniques Man Ray used in his still photography (for which he is better known), including Rayographs, double exposure, soft focus and ambiguous features. The film features sculptures by Pablo Picasso, and some of Man Ray's mathematical objects both still and animated using a stop motion technique.
A compilation of over 30 years of private home movie footage shot by Lithuanian-American avant-garde director Jonas Mekas, assembled by Mekas "purely by chance", without concern for chronological order.
A group of teens discover secret plans of a time machine, and construct one. However, things start to get out of control.
In Manhattan's Central Park, a film crew directed by William Greaves is shooting a screen test with various pairs of actors. It's a confrontation between a couple: he demands to know what's wrong, she challenges his sexual orientation. Cameras shoot the exchange, and another camera records Greaves and his crew. Sometimes we watch the crew discussing this scene, its language, and the process of making a movie. Is there such a thing as natural language? Are all things related to sex? The camera records distractions - a woman rides horseback past them; a garrulous homeless vet who sleeps in the park chats them up. What's the nature of making a movie?
The subject of the film was the Hauka movement. The Hauka movement consisted of mimicry and dancing to become possessed by French Colonial administrators. The participants performed the same elaborate military ceremonies of their colonial occupiers, but in more of a trance than true recreation.