A short documentary about the tea drinking culture in the UK and the industry behind it.
Social & External
The people behind it
Tim Turner
Commentator
Emma Dabiri looks at racism in Britain via the world of modern dating, love apps, and a national survey suggesting that young Britons could be more segregated than ever.
While the overt violence and conflict associated with the Troubles may have subsided since the Good Friday Agreement, it is true that many people in Northern Ireland continue to be affected by the legacy of the conflict. This includes individuals who were directly impacted by the violence, as well as those who continue to struggle with the social, economic, and political consequences of the conflict. While the actual violence and conflict may have ended, the legacy of the Troubles still lingers on in Northern Ireland; many are still struggling to come to terms with what happened and find a way to move forward.
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Self Rescue for Climbers DVD is a comprehensive guide to problem solving in climbing situations, it is aimed at the problems recreational climbers may encounter whether climbing on multi-pitch sea cliffs, mountain routes or road-side crags. Chapters include: good belay practice simple hoists escaping the system abseil safety prusiking and equipment testing also included is a staged Holyhead cliff rescue and a DMM factory visit - the DVD was filmed on location in Malham, Gogarth, Tremadog and the Llanberis Pass.
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The first part of the film shows an actuality street scene of traffic in the Strand. Behind the traffic we can see the entrance to the Gaiety Theatre on the Strand, advertising its latest show 'My Girl'. The second part is a different film altogether, spliced onto the first and is R W Paul’s Turn Out of a Fire Brigade filmed in November 1896 in Newcastle at the Westgate Road fire station. The film date is 1896.
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Moving picture of London's Trafalgar Square traffic, filmed with a kinesigraph.
Through the experiences of two women in Paris and London, Ghost Dance offers an analysis of the complexity of our conceptions of ghosts, memory and the past. The film focuses on the French philosopher Jacques Derrida, who observes, 'I think cinema, when it's not boring, is the art of letting ghosts come back.' He also says that 'memory is the past that has never had the form of the present.'
The short film shows real footage of the city of London and the area around the River Thames. The commentary is spoken by a member of the London Water Police in German with an English accent. Together with the commentator, the viewer takes part in a boat trip on the Thames, which begins above London and then shows the western suburbs, the government district, the West End, the south bank of the Thames, the city and the harbor area of the metropolis.
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This film weaves across sound, image, time, rhythm and place and is made up of a number of layers both sound and visual layered on top of one another, talking to and informing each other. It is made using digital transfer versions of c90 tape compilations I made between 1992-1995, juxtaposed with moving image footage of me in 2018 and 2020 and a typeface font graphic ‘See Me’ that I designed in 2005. The c90 cassette on screen is the cassette compilation that I still have from 1994. The film also includes drawings and photographs and other artworks from my personal archive as an artist from the last 25 years. As I walk down the streets that were so important in shaping my life as a young gay man living in London, I revisit the gay bars and pubs that have been my safe spaces for the last twenty years and more, spaces that are now closed.
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In the 19th century, China held the monopoly on tea, which was dear and fashionable in the West, and the British Empire exchanged poppies, produced in its Indian colonies and transformed into opium, for Chinese tea. Inundated by the drugs, China was forced to open up its market, and the British consolidated their commercial dominance. In 1839, the Middle Empire introduced prohibition. The Opium War was declared… Great Britain emerged as the winner, but the warning was heeded: it could no longer depend on Chinese tea. The only alternative possible was to produce its own tea. The East India Company therefore entrusted one man with finding the secrets of the precious beverage. His mission was to develop the first plantations in Britain’s Indian colonies. This latter-day James Bond was called Robert Fortune – a botanist. After overcoming innumerable ordeals in the heart of imperial China, he brought back the plants and techniques that gave rise to Darjeeling tea.
Cameras go behind the scenes at Brown's, London's oldest luxury hotel, during the Christmas season, as staff face the expectations of delivering a luxury festive stay for guests booking rooms that start at £750 a night. The hotel's elite team hosts a vibrant charity Christmas fayre, creates imaginative festive pastries, and concocts a signature holiday cocktail, all aimed at delivering the Christmas feast of a lifetime.
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