Social & External
Narrador (voz)
The history of how the International Monetary Fund has been operating in Argentina for years.
Poetic images emerge from everyday life, interweaving with narratives that recall traces of events from the last civic-ecclesiastical-military dictatorship in the city of La Plata.
The celebrations for the title of the Argentine National Team in the World Cup in Qatar 2022, through videos of Argentines around the world and unpublished material of the party in the streets.
"Unearths, the books we do not inherit" delves into the family memory of Maria Julia Blanco, its director. The unearthing of his father's student library - recovered in 2018 - is the starting point. Julia guides us through the province of Santa Fe following her family's story. Historian and bibliophile by choice, Julia takes books, which do not know what has happened on the surface, as a starting point to excavate family memory. Little by little it becomes evident that, in the remains of the books, both family history and Argentine history can be reread.
Bernardo has turned 90 and is working to realize a dream: to make a film about art. He spends countless hours writing the script. He understands it's an arduous and complex task: What is art? When is there art? What is the purpose of art? Antonio, his friend, decides to collaborate, lending his knowledge and experience to the project. Marcelo meets Bernardo through Lucy, his partner of over 60 years, and finds him deep in his work, immersed in the uncertainties, frustrations, and joys inherent in any creative process. Watching him work, something of Bernardo's dream awakens in Marcelo a desire, another dream. He offers his help, while also asking to be able to capture Bernardo's daily work with his own eyes, thus creating his film. A dream that gradually shifts from the work Antonio sculpts on Bernardo's camera to Marcelo's gaze.
Based on a discursive analysis of historical right-wing forces in Argentina and around the world, the objective is to situate the current Argentine government in the context of a resurgence of reactionary thinking, as well as to warn of the country's potential direction.
A humorist from the 1950's is celebrating his birthday, so a group of artists come together to celebrate this very special event. This birthday proves how toxic the artistic environment can be.
Pedro, an inexperienced conman, decides to rob a bank. When he tries to escape, the branch is surrounded by police. His hostage turns out to be Pablo, the husband of the daughter of the bank's owner. After Pedro and Pablo leave the crime scene, Pedro demands ransom. But the money never arrives, since Pablo's father-in-law decides not to pay and, to make matters worse, instead sends an assassin to kill off Pedro.
A quadriplegic woman undergoes unusual treatment to regain her mobility and also gain other skills.
At a tabern in the argentine interior, xenophobia among gauchos is in charge of blurring the line between the law and the trap.
Buenos Aires, Argentina, 1983. In the last and turbulent days of the military dictatorship, Alicia, a high school history teacher, begins to ask uncomfortable questions about the dark origins of Gaby, her adopted daughter.
In this modern retelling of the Faust legend, a freelance photographer meets the enigmatic Mefi, who leads him, through a hole in the wall, to a room where a disembodied voice predicts stock prices.
Two con artists try to swindle a stamp collector by selling him a sheet of counterfeit rare stamps, the "nine queens".
Set in Argentina in 1965, the story follows the tumultuous relationship between two men who became lovers and ultimately ruthless bank robbers in a notoriously famous footnote in the annals of crime history. After a large-scale hold-up that turns bloody, the two men must flee. It is not long before the police are surrounding the building they are in and they must confront their demons to survive.
Buenos Aires, Argentina, 1971. Carlos Robledo Puch is a 19-year-old boy with an angelic face, but a vocational thief as well, who acts ruthlessly, without remorse. When he meets Ramón, they follow together a dark path of crime and death.
Enrique Hubermann, homeopathic physician, travels in flight from a love. By a joke of fate, in that distant place he meets the woman he wants to forget, a beautiful young woman like a demon who manipulates men and triggers dangerous passions.
Sixteen-year-old Lola is studying for her resits when the possibility of a semester in Germany comes up. Lola wants to go, but her family, bogged down by her elder sister's psychiatric problems, don't want her to make the trip. The lack of stability and exhaustion in the ties with her family prompt Lola to go ahead with her idea and set out to find new experiences that make her see both herself and the circumstances that surround her with different eyes.
Lola works as an internet troll. After an assignment she rejects, she feels cornered by her boss.
Mariano, 16, inexplicably and without warning, shoots himself twice and improbably survives. Then, life goes on. His brother pursues a romance with a girl working at a fast-food joint, his mother takes off on a trip with a stranger, and Mariano recruits a woman to join his medieval wind ensemble.
El Tenso does not know how to face his ill-tempered wife, Tana, to tell her that he wants to separate. Carlos, a friend of Tenso, suggests him to invert the situation and cause Tana to leave him by hiring Cuervo Flores, an irresistible seducer, to try and charm his wife until she falls in love with him.
