“All that which in Picture is not of the body or argument thereof is Landskip, Parergon, or By-work” (Thomas Blount, Glossographia, 1656).
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As publicity for the exhibit Miró L’altre, organized by the Colegio de Arquitectos de Catalunya in 1969, the Board commissioned Pere Portabella to film Miró painting the “poster” for the exhibit on the ground floor windows of the building. Portabella was not interested in simply filming a testimonial documentary. However, he said he would do the film if after the exhibit Joan Miró himself, with the help of the cleaning staff erased his own painting. Joan Miró accepted the idea without a doubt. The complicity between the film maker and the painter is evident in the filming.
A collective portrait in which friends and acquaintances explore the complexities of Rodrigo Lira, a pivotal poet on the national scene of the 1980s. The short film exposes diverse literary and personal facets of Lira, while simultaneously fragmenting, reiterating, and juxtaposing the speeches of the group of interviewees, making it in itself a work of audiovisual experimentation. Originally filmed months after Lira's suicide, this film was recuperated and preserved by Universidad de Chile's Film Archive, who were able to release it in 2026.
Set at an artificial reservoir in North Carolina, RESERVOIR (SEVEN FRAGMENTS) is a meditation on the unnatural histories of the American environment. The film approaches both the cinematic image and the landscape it captures as damaged, estranged things—things adrift in a world of irreparable discord.
A new exploration of familiar places located in the region of Rhône and Isère throught an reinvention of digital nuances, a study of perceptions and fluidity around the nature of motion in landscapes and human interactions.
Formally eclectic, the first few seconds of the film seem to introduce us to a typical sensory documentary, but soon the flow of the narrative evolves into a much more complex portrait of the port of Paita, by concatenating recordings made by the author himself, videos generated by an AI, Google Maps views and archival images.
Produced for the NFB by Crawley Films Ltd. for the Canadian Department of Industry Trade and Commerce. This film provides a showcase for products manufactured in Canada, from aircraft designed for special duties, to pre-cast bathrooms that can be installed in one simple operation. There is heavy-duty machinery developed for the special needs of Canadian industry. There are women's fashions of universal appeal. All bear the 'Made in Canada' label and can be viewed in this film in colour and at close range.
A sock puppet explores a family history told from the perspective of a mother and father.
A young Dutch girl (my mother, filmed by my father in-love). A little redhead (me, filmed by my father). Boys (my brothers). And through the images of flowers, animals and rallies (super 8s that were found): A chalet (Switzerland), dikes (the Netherlands). And my memories, childhood, teenage years mixed up with the history of women (of my family).
Did you look at the sun for too long, until the shapes of the surrounding world stretched and the colors became distorted? In this music documentary, the band Mikko Sarvanne Garden performscompositions set to contemporary poetry: Heräämisen valkea myrsky, Valo jota pöly juo, and Hiljainen kuin metsä.
A train moves through winter as a superimposed image of the same route in spring gradually emerges. Both moments coexist within a single frame, revealing two seasons happening at once.
Latest installment from the on-going collaboration between filmmaker Paul Clipson & musician Jefre Cantu-Ledesma. Paul's Super8 films, shot entirely in New York City, channel the blissed out states of color drenched psychadellia explored by Brakage as well as lovely black and white still life's that reminisce on Ozu's 'pillow shots' & Chantel Akermans monumental portrait of Pre-Giuliani New York 'Letters Home'. Jefre's music is culled from the same sessions that launched his 2007 release on Students Of Decay 'Shinning Skull Breath', (the two share a track in common). Billowy clouds of distorted guitar expand out into long passages of muffled static and fuzzed out melody.
Sprout. In the vacant lots against the hammering of buildings always under construction, between walls of granite, cement and sheet metal with rust, moss and cats; on the hillside between the train and the river, next to the traffic on the highway, facing the subway, vegetable gardens sprout. In this city, the choreography of ancient gestures of cultivating the land is repeated day after day, without fail. Sowing, digging, harvesting, watering, eating, talking, resting and returning the next day. The longest day of the year brings S. João and nobody goes to bed, but when the sun rises, the discreet gestures of resistance will restart.
In this documentary, wealthy entrepreneur Bryan Johnson puts his body and fortune on the line to defy aging and extend his life beyond all known limits.
Two filmmakers juxtapose field recordings and documented moving images as an attempt to reconcile with their place in their desensitized semi-urban hometown in India.
An immersive dive into the heart of the discomfort felt by anyone struggling to sleep.
Filmed from the last night of Tihar, festival of light, in Kathmandu 2025, exploring colour, light and stillness.
An experimental film about the relation of Time and Space.
This is not just a “folkumentary”, but an invitation to reflect on the future of humanity on a planet where tradition and technology coexist, and where the unknown reminds us that there are still unanswered questions.
A children's film about the largest mass suicide of the 20th century reconstructs the 1978 event. The Reverend Jim Jones forced nearly a thousand followers of his People's Temple sect to drink poison in the settlement of Jonestown, Guyana, South America. A third of them were children. Jan Bušta gives sadists, voyeurs, and necrophiliacs one minute to leave the cinema. His self-reflective documentary, which is the result of ten years of time-lapse filming, does not depict dramatic scenes. To the sound of an audio recording from that fateful day, we see a collage of child ghosts preaching about escaping the corruption of the world.
Graduation is approaching, marking the close of a chapter. I took my camera to Green Island, recording video letters day by day. But the camera became unruly, backup batteries went missing, and the trip began to go downhill. Typhoons arrived, and the video letters ceased... Finally, facing the sea beneath the sun, my camera non-responsive, I took a Dramamine, then boated back home.
A string of threatening emails escalates into a revenge plot involving a newly married US marshal and his ex-girlfriend.
A visual montage portrait of our contemporary world dominated by globalized technology and violence.
After the high-profile killing of Damilola Taylor, Cornelius' family move out of London. But when they discover their new town is run by racists, Cornelius takes a drastic step to survive.
An inside look at one of the most anticipated movie sequels ever with James Cameron and cast.
The Making-of James Cameron's Avatar. It shows interesting parts of the work on the set.
SEDUCED AND ABANDONED combines acting legend Alec Baldwin with director James Toback as they lead us on a troublesome and often hilarious journey of raising financing for their next feature film. Moving from director to financier to star actor, the two players provide us with a unique look behind the curtain at the world's biggest and most glamourous film festival, shining a light on the bitter-sweet relationship filmmakers have with Cannes and the film business. Featuring insights from directors Martin Scorsese, 'Bernando Bertolucci' and Roman Polanski; actors Ryan Gosling and Jessica Chastain and a host of film distribution luminaries.
The film follows adventurer Jeff Johnson as he retraces the epic 1968 journey of his heroes Yvon Chouinard and Doug Tompkins to Patagonia.
A documentary on legendary movie-poster artist Drew Struzan.
Follow the evolution of the 'Halloween' movies over the past twenty-five years. It examines why the films are so popular and revisits many of the original locations used in the films - seeing the effects on the local community. For the first time, cast, crew, critics and fans join together in the ultimate 'Halloween' retrospective.
The life and career of an actor, artist, and icon. His own journey through his own camera.
Ranjit, a farmer in India, takes on the fight of his life when he demands justice for his 13-year-old daughter, the victim of a brutal gang rape. His decision to support his daughter is virtually unheard of, and his journey unprecedented.
A documentary about the life and films of director John Ford.
In an intimate and joyful story of love in the face of loss, celebrated poets Andrea Gibson and Megan Falley find strength—and unexpected hilarity—in what might be their final year together.
Through deeply personal interviews with her siblings and an examination of the photographs, letters, and belongings left behind, Mariska assembles a new portrait of her mother Jayne Mansfield, an extraordinary and complex woman.
A group of British children aged 7 from widely ranging backgrounds are interviewed about a range of subjects. The filmmakers plan to re-interview them at 7 year intervals to track how their lives and attitudes change as they age.
In August, 2014, a video of the public execution of American photojournalist James Foley rippled across the globe. Foley wore an orange jumpsuit as he knelt beside an ISIS militant dressed in black. That image challenged the world to deal with a new face of terror. And it tested one American family. Seen through the lens of filmmaker Brian Oakes, Foley’s close childhood friend, Jim takes us from small-town New England to the adrenaline-fueled front lines of Libya and Syria, where Foley pushed the limits of danger to report on the plight of civilians impacted by war.
A tribute to Chadwick Boseman, celebrating his life and legacy.
Amber Heard and Nicole Kidman discuss their characters Mera and Atlanna.
Director Michael Apted revisits the same group of British-born adults after a 7 year wait. The subjects are interviewed as to the changes that have occurred in their lives during the last seven years.
Carefully picked scenes of nature and civilization are viewed at high speed using time-lapse cinematography in an effort to demonstrate the history of various regions.