Composed entirely of AI-generated visuals and providing an abstract representation of the evolution of AI video, processed entirely through a VCR.
Social & External
A washed up actor performs night after night in a grimy theater to a nearly empty audience. However, everything changes when a clueless dog jumps on stage.
LAND is a fluid series of formal land animation experiments based upon the imprint of landscapes in various locations and intuitive interpretations of those movements. Shot in New York, Thimble Islands Bear Island, Connecticut, Armstrong Redwoods, Sonoma County, California, Hastings, England. note* (part of the EYE Filmmuseum Permanent Collection)
In a story fueled by rhythm and blues, a young boy's life is shaped by love and the stories of a cast of characters in the boarding house where he lives in 1960s Lackawanna, New York.
An animation film, made without the use of a camera, in which "boogie" played by Albert Ammons and "doodle" drawn by Norman McLaren combine to make a rhythmic, brightly colored film experiment. The main title is in eight languages.
This animated short film attempts to answer the eternal questions, What is dying? and How does it feel? Based on recent studies, case histories and some of the ancient myths, the afterlife state is portrayed as an awesome but methodical working-out of all the individual's past experiences. Film without words.
Feeling lost in his day-to-day existence, Red has trouble making a decision that could potentially change his life.
Flying through a tunnel made of kaleidoscopic photographs.
Abstract shapes morph in and out of focus.
The all powerful goddess of feet showing off her very interesting, soft and thick assets to you in every way she can imagine, while the sounds of the rave club rage on. Loaded with tons of sole scrunching, big bunching, feet waving, heel wagging, meat jiggling, toe wiggling, pad waggling, arch curling, foot furling, body bouncing, fancy dancing, sweating wetness and much much more ensues in this exciting experimental generative ai visual album.
The film follows a man’s desperate trek down a river as he is continually hindered by strange figures trying to convince him to turn around or stop.
Deemed "too ambient for broadcast" by MTV's AMP, Thaemlitz' first video "Silent Passability (Ride to the Countryside)" contrasts cinematic footage from drag performances in upstate New York with highly processed digital audio from his CD "Couture Cosmetique" (US: Caipirinha/Japan: Daisyworld, 1997). Thaemlitz is known for his fusion of computer synthesis techniques with non-essentialist transgenderism as two methodoligies which appropriate and critically recontextualize cultural signifiers, whether they be audio sources or gender constructs. The audio for "Silent Passability" deals with fears of violence while travelling in 'passable' drag between safe zones, and Thaemlitz' unsettling compulsion to remain silent in such circumstances so as to avoid confrontation. Antithetically beatific images from the transgendered stage question posturing as a means for alieviating and/or concealing such oppressive circumstances.
This is a hand-painted film which has been photographically step-printed to achieve various effects of brief fades and fluidity-of-motion, and makes partial use of painted frames in repetition (for "close-up" of textures). The tone of the film is primarily dark blue, and the paint is composed (and rephotographed microscopically) to suggest galactic forms in a space of stars.
An experimental short film exploring themes of depression and existentialism through various empty spaces and poetic narration by a young French-speaking woman.
An experimental short film by Walerian Borowczyk and Jan Lenica.
Music: Carl Stone. Colored pen-and-ink drawings, like topological maps of biomorphic objects, grow and evolve from the red star. Once the master image is formed, this continuously throbbing, pulsating sight is used to ring changes based on years of optical work. Music and picture work together to create a mood of ecstatic tranquility. The bright colors, beautiful music, surprise at the end, etc. make this a good film for young children. Awards: Sinking Creek Film & Video Festival, 1973; Washington National Student Film Festival, 1974; Brooklyn Independent Filmmakers Exposition, 1974; Vanguard Int'l Competition of Electronic Music for Film, 1974; Humboldt Film Festival, 1974. Preserved by the Academy Film Archive in partnership with iotaCenter and National Film Preservation Foundation in 2007.
"In an effort to explore the flexibility of Telidon, Canada's videotex system, Pierre Moretti, animation artist from the National Film Board, used, in the graphic mode, the geometric figures which form the basis for Telidon's picture description instructions. Thus he created this short animated film."
Starting with a piece of vintage porn, filmmaker Naomi Uman painstakingly removed each female figure from the footage using nail polish remover, leaving a striking absence where there's usually a fleshy presence. Uman's celebrated film is a smart retort to pornography's obsessive gaze at the female body.
An underground fight is taking place in a painter's studio between the artist and the ten tyrants.
Trade Tattoo went even further than Rainbow Dance in its manipulation of the Gasparcolor process. The original black and white footage consisted of outtakes from GPO Film Unit documentaries such as Night Mail. Lye transformed this footage in what has been described as the most intricate job of film printing and color grading ever attempted. Animated words and patterns combine with the live-action footage to create images as complex and multi-layered as a Cubist painting. Music was provided by the Cuban Lecuona Band. With its dynamic rhythms, the film seeks (in Lye’s words) to convey “a romanticism about the work of the everyday in all walks of life."
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