Puxando Raízes com Cecelia Condit

A video essay that seeks to represent, study and pay homage to the North American filmmaker Cecelia Condit, covering all of her film work and video installation, portraying her through devices of semiotics, aesthetics and cinematographic language.

Roubar um Plano

One day, Renato and Adriano decide not to work. They walk through the streets of Capão, while a film crew steals some shots.

1900

The epic tale of a class struggle in twentieth century Italy, as seen through the eyes of two childhood friends on opposing sides.

La Chinoise

A small group of French students are studying Mao, trying to find out their position in the world and how to change the world to a Maoistic community using terrorism.

Tear It Down

In an insurrectionary climate, four twenty-year-old friends talk about politics. As a big protest looms, one of them, Clara, has to write a college essay. Caught in the virtual images and the comfort of her bedroom, going out is harder than expected.

The Lower Depths

Residents of a rundown boardinghouse in 19th-century Japan, including a mysterious old man and an aging actor, get drawn into a love triangle that turns violent. When amoral thief Sutekichi breaks off his affair with landlady Osugi to romance her younger sister, Okayo, Osugi extracts her revenge by revealing her infidelity to her jealous husband.

Lunch Break

1979. Four female workers have lunch break inside the ladies' room, at a metallurgical factory. Between laughs and scuffles, each one has a secret of their own.

Ergui as Mãos aos Céus e Não Havia Mais Luz

Le Siècle des couturières

Dias de Camus

Europe '51

A wealthy, self-absorbed Rome socialite is racked by guilt over the death of her young son. As a way of dealing with her grief and finding meaning in her life, she decides to devote her time and money to the city’s poor and sick. Her newfound, single-minded activism leads to conflicts with her husband and questions about her sanity.

Les Anneaux d'Or

At the time of Tunisian independence, owners of large boats decide to sell, while many small fishermen soon find themselves without work. Their wives then decide to pool their gold rings to sell them and thus buy boats.

Elza

KM 100

Young African-Brazilian Miguel drives across the country in search of a long-lost relative to find out about his ancestry. However, a deeper understanding emerges through his encounters along the way.

No One Loves Anyone For More Than Two Years

"No one loves anyone for more than two years" is an adaptation of Nelson Rodrigues' work about five couples that live in Brazil in the early 60's, who are seen by the society as conventional people, but whose intimate lives turn out to be morally questionable.

Casa Grande: The Movie

A prodigal daughter rejoins her family at their farm during a difficult time, as her ailing father faces both a terminal diagnosis and mounting pressure from competitors. Old wounds resurface as they grapple with what lies ahead.

Echebka (الشبكة)

Maamar (Sid Ali Kouiret), a young fisherman working in a small port in western Algeria, is forced to sell his goods at a discount every day to Si Khelifa (Abdelhalim Rais), owner of many trucks and a cannery where the wives work fishermen. He has a strange encounter. As he returns from fishing, bassinet in hand, he witnesses a car accident. Indeed, a car hits a tree with a beautiful girl “Hayat” on board who has lost consciousness. Maamar pulls her out of the car and saves her. It is at this precise moment that he realizes the existence of another world. As if awakened from a long sleep, he realizes that this exploitation can no longer continue. He leaves his village and his wife Laâlia (Fatima Belhadj) on a whim for three years. He finds himself in the capital which he leaves to return to his village and carry out a saving action...

The Mark of the Day

In a settlement in the northern mining country. The Marles, Bréhard and Gohelle families wake up and prepare for a new day at work. The young engineer Larzac, newly appointed to the mine, will soon oppose the authoritarian and conservative methods of his superior Dubard. Georges Gohelle would like to marry Marie Bréhard, but housing difficulties thwart their plans. Brezza, a Polish immigrant, who must return to his country, would like to hate his marriage to Louise Gohelle. Roger, Marie's little brother, has just turned 14. He does not want to go down to the mine as his elders have always done. He will however have to resign himself to it. Marles evokes for him the social struggles of 1906. Roger is injured during a landslide. In front of his family and his friend Marles, who had come to the hospital, he announced his decision to continue his profession. Larzac, invited to the Marles, reveals that he refused a quiet position at the Charbonnages de Paris. He too stays.

Forward March, Time!

Soviet animation from Vladimir Tarasov.

Donna: Women in Revolt

The story of those Italian women who, for eighty years, have fought against power in all its forms.