Short documentary about 50 years of history of Czechoslovakia, with archive images.
Social & External
Self (archive footage)
After Saddam Hussein had the Kuwait Oil wells lit up, teams from all over the world fought those fires for months. They had to save the oil resources, as well as reduce air pollution. The different teams developed different techniques of extinguishing the fires. Man's emergency creativity can be seen at it's best.
There were two wars in Iraq--a military assault and a media war. The former was well-covered; the latter was not. Until now... Independent filmmaker, Emmy-award winningTV journalist, author and media critic, Danny Schechter turns the cameras on the role of the media. His new film, WMD, is an outspoken assessment of how Pentagon propaganda and media complicity misled the American people...
By land, by air, and by sea, viewers can now experience the struggle that millions of creatures endure in the name of migration as wildlife photographers show just how deeply survival instincts have become ingrained into to the animals of planet Earth. From the monarch butterflies that swarm the highlands of Mexico to the birds who navigate by the stars and the millions of red crabs who make the perilous land journey across Christmas Island, this release offers a look at animal instinct in it's purest form.
Carl Johan De Geer remembers his old friend Lena Svedberg. He talks about how they used to make their magazine together, how beautiful but strange she drew and how bad she seemed to feel.
Shadowlands is an animated short film about darkness that won't let go. About the constant fear that something terrible might happen. It describes a journey into the inner world and psyche of a young person in distress, a world far from "normal".
Super-8 footage captured while filming Bergman Island. In voice-over, filmmaker Mia Hansen-Løve offers intimate reflections on her creative process on the island of Fårö and her relationship with Bergman and Swedish cinema.
"Society is a carnivorous flower" - About activists in the student revolt in May 1968. Archive footage shows police entering the Sorbonne, street fighting, meetings and demonstrations. Many interviewees testify to police violence and abuses.
A visual essay by filmmaker and critic David Cairns. Recorded for Arrow Video in 2023. Included as a special feature on the 2024 Limited Edition Blu-ray and DVD release of The Shootist.
A disturbing collection of 1940s and 1950s United States government-issued propaganda films designed to reassure Americans that the atomic bomb was not a threat to their safety.
A walk through the landscapes of the province of Salamanca, Spain, as well as a testimony of the daily life and customs of its inhabitants.
Shot on the Great Barrier Reef in Australia and in the Bahamas, Ocean Wonderland brings to you the amazing beauty of the many varieties of coral and the immense diversity of the marine life thriving there.
An opening narration explaining that the film's purpose is to examine the "world strategy of food", in terms of its production, distribution and consumption. The film is then divided into three parts: "Food - As It Was", "Food - As It Is" and "Food - As It Might Be".
Susana Barriga’s documentary, the illusion, begins with violence. A long shot reveals a man standing on a street corner, his features indiscernible in the night. He moves out of the camera’s line of vision, but the filmmaker, persistent, moves with him as the jostling of the camera marks her steps. As we learn moments later, the man in the distance is Susana’s father – and this is the clearest image of him we will have. Suddenly, an angry British man demands that Susana cease filming. Susana protests in heavily accented English, “He is my father!” Glimpses of a man’s torso are followed by blurred images as the camera spins rapidly over surfaces. The image cuts to black. A new male voice asks in carefully spaced out words if Susana would like him to call the police. When she doesn’t respond immediately, he speaks louder, as though volume would compensate for the language difference. She gives her name; she refuses the offer of an ambulance.
Through the pattern of this film a ‘Test’ at Lord’s runs like a thread and a broadcast commentary on the match is imposed on the background of cricket as a game, a craft, an interest of a people, a piece of history. The craftsmen are shown who make the ball and the bat–that ‘fourth straight stick’ with which the batsmen defend ‘the other three’. The craftsmen are shown who play the game, from W. G. Grace in the ‘nets’ to D. G. Bradman and Denis Compton in the thread of the ‘Test’. The history of the game is epitomized in the Long Room shots at Lord’s and from there the camera moves to the village green; to the London side- street where the urchins play on a ‘bumping pitch’; to South Africa, and India, where in the ‘blinding light’ there is often ‘an hour to play and the last man in.
Ronald Reagan and Richard Nixon on Camera 1983
In this short documentary, five black women talk about their lives in rural and urban Canada between the 1920s and 1950s. What emerges is a unique history of Canada’s black people and the legacy of their community elders. Produced by the NFB’s iconic Studio D.
A 16mm anthology of experimental super 8 films by Derek Jarman, Michael Kostiff, Cerith Wyn Evans and John Maybury, with framing footage by Tim Burke of Brion Gysin using a dream machine. Jarman's contribution is a version of his 1977 Art and the Pose (aka Arty the Pose), refilmed at 3fps, with a musical soundtrack. Jarman planned The Dream Machine as a commemoration of William Burroughs and Gysin's 1982 visit to the UK, and received initial funding from the Arts Council in 1983, then rethought the project as a portmanteau film featuring Gysin alone. The production remained in limbo until 1986, when James Mackay obtained completion funding from the British Film Institute. (Since this film was released on VHS accompanied by Jarman's Broken English: Three Songs by Marianne Faithfull, T.G.: Psychic Rally in Heaven and Pirate Tape under the umbrella title The Dream Machine, synopses of this film have often muddled up its details with those of the earlier films. )
The filmmaker's father and uncle, Norm and Stan, are third generation Japanese Americans. They are "all American" guys who love bowling, cards and pinball. Placed in the Amache internment camp as children during World War II, they don't think the experience affected them that much. But in the course of navigating the maze of her father's and uncle's pursuits while simultaneously trying to inquire about their past, the filmmaker is able to find connections between their lives now and the history that was left behind.
It’s the opportunity of a lifetime for artist Phil Richards, who’s been commissioned to create Canada’s official portrait of Her Majesty Queen Elizabeth II for her Diamond Jubilee. Academy Award®-nominated filmmaker Hubert Davis follows Richards over months of painstaking preparations, as he works to capture Her Majesty’s likeness and spirit on canvas.
Wilhelm II. visits a market place in Beirut, Lebanon.
A woman narrates the thoughts of a world traveler, meditations on time and memory expressed in words and images from places as far-flung as Japan, Guinea-Bissau, Iceland, and San Francisco.
An exploration —manipulated and staged— of life in Las Hurdes, in the province of Cáceres, in Extremadura, Spain, as it was in 1932. Insalubrity, misery and lack of opportunities provoke the emigration of young people and the solitude of those who remain in the desolation of one of the poorest and least developed Spanish regions at that time.
A documentary about the closure of General Motors' plant at Flint, Michigan, which resulted in the loss of 30,000 jobs. Details the attempts of filmmaker Michael Moore to get an interview with GM CEO Roger Smith.
John Shepherd spent 30 years trying to contact extraterrestrials by broadcasting music millions of miles into space. After giving up the search, he makes a different connection here on earth.
A documentary on the expletive's origin, why it offends some people so deeply, and what can be gained from its use.
A purely observational non-fiction film that takes viewers into the ethically murky world of end-of-life decision making in a public hospital.
Lasting for roughly 50 seconds, it shows the goodbyes of many passersby - first Europeans, then Palestinian Arabs, then Palestinian Jews - as a train leaves Jerusalem.
A documentary that explores the downloading revolution; the kids that created it, the bands and the businesses that were affected by it, and its impact on the world at large.
A depiction of the Wrangelkiez neighbourhood in Berlin. The people portrayed tell their life stories. One woman came to the neighbourhood a decade ago to work in Berlin’s still unfinished Brandenburger Airport, one man reminisces his childhood on a Tobacco farm in Kentucky, another speaks of an exceptional day in an otherwise monotonous workplace. These portraits are interwoven with the story of Elpi, a Greek woman who is waiting for the long overdue visit of an old important friend. The outcome of this mixture is a film which captures the lives and perspectives of some of Wrangelkiez’s most commanding citizens, while at the same time evoking the loss that change and time passing means for places and for people.
A documentary about how a dominant cultural and demographic institution both sustains their traditional activities and adapts to the digital revolution.
Daniel Craig candidly reflects on his 15 year adventure as James Bond. Including never-before-seen archival footage from Casino Royale to the upcoming 25th film No Time To Die, Craig shares his personal memories in conversation with 007 producers, Michael G Wilson and Barbara Broccoli.
A celebration of the universe, displaying the whole of time, from its start to its final collapse. This film examines all that occurred to prepare the world that stands before us now: science and spirit, birth and death, the grand cosmos and the minute life systems of our planet.
A documentary on the life of John Lennon, with a focus on the time in his life when he transformed from a musician into an antiwar activist.
A documentary focused on plastic pollution in the world's oceans.
This film tells the story of three defeats: Berlusconi’s political and human defeat in his “twilight”, the one of Ciccio Mirra, Berlusconi’s unconditional supporter, deeply rooted in an ancient culture that dies hard, and the director’s artistic defeat in an Italy that recognised itself in this “Berlusconian culture” for a long time, and probably still does.
A propaganda film during World War II about a boy who grows up to become a Nazi soldier.
Embark on an epic journey through time and faith with 'The Apocalypse of Saint John.' Join the Apostle John in a stunning visual narrative that unravels the visions of the End Times. Experience each vision like never before, with striking visual effects and epic scenes that immerse you in the apocalyptic narrative.
Amber Heard and Nicole Kidman discuss their characters Mera and Atlanna.
A depiction of life in wartime Britain during the Second World War. Director Humphrey Jennings visits many aspects of civilian life and of the turmoil and privation caused by the war, all without narration.
The subject of the film was the Hauka movement. The Hauka movement consisted of mimicry and dancing to become possessed by French Colonial administrators. The participants performed the same elaborate military ceremonies of their colonial occupiers, but in more of a trance than true recreation.