The Balcony Movie

Composed from the conversations that the director holds with people passing by in the street under his Warsaw apartment, each story in 'The Balcony Movie' is unique and deals with the way we try to cope with life as individuals. All together, they create a self-portrait of contemporary human life, and the passers-by present a composite picture of today's world.

Women 50 Minutes

A representation of queer and feminist imagery that was mainly shot in the Qinghai-Tibetan Plateau, remote and developing areas in southwest China, and metropolitan cities like Beijing from 2000 to 2004 to document the social changes in contemporary China. The director sympathetically and erotically represents a variety of women, including women as laborers, women as prayers, women in the ground, women in marriage, and women who lie on the funeral pyre with their dead husbands. Her camera juxtaposes the mountains and rivers in old times, the commercialized handicrafts as exposition, the capital exploitation of the elders’ living space, and the erotic freedom of the young people in a changing city.

Appendix

An experimental film following a trip made by three friends in which the contrast between the agitated city of São Paulo, Brazil and the calmness of the beach leads the flow. No script. No story. Just vibes.

Let's Look at Water

This short documentary shows how a city's water supply is purified at a filtration plant. The complex system of the underground mains that supply all parts of the city with water is also illustrated, as is the safeguarding of water supplies on trains, ships and aircrafts.

China und Wir

China is pushing hard into German and European markets. Furthermore, Beijing is developing into an increasingly powerful military power. An investigative reporter team from BR, rbb, and SWR is investigating the impact this has on Germany's internal and external security.

Paris on the Seine

A history of the bridges of Paris, through modern views and historical engravings.

1,2,3... Barcelona!

Tourists eating and taking photos. Tourists strolling and taking photos. Tourists bathing on the beach and taking more photos. Barcelona has become an overexploited photocall to the point of paroxysm, and this is what this film shows by turning the camera and pointing towards the visitors. A small gesture that, added to a powerful sound contrast and a caustic sense of humour, exposes without subterfuge a grotesque normality.

Who's afraid of Huawei?

The Chinese company Huawei wants to expand 5G worldwide and is well advanced in the development of the technology. With the help of 5G, entire communities can function wirelessly, self-driving cars become possible and advanced medical care can be performed remotely in real time. However, many are worried that Huawei is incorporating backdoors that allow vast amounts of data to be collected and then used by China for espionage.

Stadt, Land, Fuchs!

Ghost Town

An documentary exploring what the city of Liverpool means to the people who call it home.

After the Clouds

In the heart of the city of Buenos Aires, amongst the grey of the cement and the noisiness of the cars and buses, everyone seems to look down. Even the cameras put there to watch the people’s every move. But, what happens if we finally decide to look up? What’s coming after the clouds?

Trespassing or Close Encounters of the 3rd World

Tokyo-Ga

German director Wim Wenders tries to explore the Tokyo that was depicted in the films of Yasujiro Ozu and finds a very different city.

Crane City of the North

Documentary about the history and development of Qiqihar city.

Silencio

Sound progression of two opposite landscapes.

La Meilleure Façon de tracer

Filmreise in das alte Köln

A documentary about Cologne through the pre-war years until the 1930s.

Istanbul: Chronopolis

Istanbul: Chronopolis is an experimental documentary that explores the city as a living organism where the linear flow of time is disrupted and the past and future coexist. Structured around a thematic cycle of birth, speed, and decay, the film uses rhythmic visuals and archival footage to bridge temporal gaps. Through a fourteen-minute mathematical edit, it replaces linguistic narrative with the evocative language of time-lapse and slow-motion cinematography. The project invites the audience to transcend chronological time and experience Istanbul as an eternal moment—an entity existing solely within its own timeless cycle.

View on Boulevard, New York City

Taken in 1896 on the Boulevard (upper Broadway) on the occasion of a bicycle parade in the heyday of the wheeling craze. Old-fashioned horse cars lend interest to the scene.

城市印象：深圳