Social & External
Eye candy as a special treat. Let Your Light Shine is the ultimate Spectrum Short film, a photokinetic stroboscopic spectacle for spectacles. A work in the tradition of the absolute animation film of the 1930s, which requires prismatic glasses to achieve the maximum result.
A story of an artist entertainer who swallowed razors, glasses, records, light bulbs, nails, forks and everything else hard to swallow. Cannibalism and auto-cannibalism included.
La Maison en Petits Cubes tells the story of a grandfather's memories as he adds more blocks to his house to stem the flooding waters.
Filmmakers use archival footage and animation to explore the culture surrounding nuclear weapons, the fascination they inspire and the perverse appeal they still exert.
This is a story of love seen from a square, in which a couple gets united, separated and rearranged again. A special kind of puzzle.
A short film advertising the newspaper Sztandar Młodych (The Banner of Youth), noteworthy for its abstract elements painted directly onto film stock. An attempt at showing the complexity of the world in a capsule, the film reflects the new policy of the openness to the West during the Thaw of the late 1950s in Poland.
An anthology of one-minute films created by 51 international filmmakers on the theme of the death of cinema. Intended as an ode to 35mm, the film was screened one time only on a purpose-built 20x12 meter public cinema screen in the Port of Tallinn, Estonia, on 22 December 2011. A special projector was constructed for the event which allowed the actual filmstrip to be burnt at the same time as the film was shown.
Be better and more beautiful than you were before.
Bill struggles to put together his shattered psyche.
Threnody emphasises some of the madness and instability of a year filled with fires, infections and general disarray.
The sad and happy times of a young girl and her bear doll, a young mouse and his family, a sycamore tree, an old lamp post, a hoodlum moth and an alleyway full of posters coming to life.
Images of two women, two men, and a gray cat form a montage of rapid bits of movement. A woman is in a bedroom, another wears an apron: they work with their hands, occasionally looking up. A man enters a room, a woman smiles. He sits, another man sits and smokes. The cat stretches. There are close-ups of each. The light is dim; a filter accentuates red. A bare foot stands on a satin sheet. A woman disrobes. She pets the cat. Preserved by the Academy Film Archive in 2006.
Seemingly at random, the wings and other bits of moths and insects move rapidly across the screen. Most are brown or sepia; up close, we can see patterns within wings, similar to the veins in a leaf. Sometimes the images look like paper cutouts, like Matisse. Green objects occasionally appear. Most wings are translucent. The technique makes them appear to be stuck directly to the film.
After the title, a white screen gives way to a series of frames suggestive of abstract art, usually with one or two colors dominating and rapid change in the images. Two figures emerge from this jungle of color: the first, a shirtless man, appears twice, coming into focus, then disappearing behind the bursts and patterns of color, then reappearing; the second figure appears later, in the right foreground. This figure suggests someone older, someone of substance. The myth? Preserved by the Academy Film Archive in 2012.
One of two animation loops directed by Max Hattler, inspired by the work of French outsider artist Augustin Lesage (1876-1954). Based on Lesage's painting A Symbolic Composition of the Spiritual World from 1923.
Shot in Ireland and Poland - a journey that explores ideas of decision, choice, consequence, circumstance and time among other things, a personal perception on how we try to find whatever it is we are searching for.The film looks at objects, people, and places which share common properties, our connection with one another and our environments in the very similar yet very different paths we share.
Commissioned by Harald Inhülsen for MasterclassFilm. A companion piece to Stefano Miraglia's Self-portrait, also part of the same commission.
Jankovics's adaptation of the eponymous play is divided into multiple parts, and depicts the creation and fall of Man throughout history.
A visual representation, in four parts, of one man's internalization of "The Divine Comedy." Hell is a series of multicolored brush strokes against a white background; the speed of the changing images varies. "Hell Spit Flexion," or springing out of Hell, is on smaller film stock, taking the center of the frame. Montages of color move rapidly with a star and the edge of a lighted moon briefly visible. Purgation is back to full frame; blurs of color occasionally slow down then freeze. From time to time, an image, such as a window or a face, is distinguishable for a moment. In "existence is song," colors swirl then flash in and out of view. Behind the vivid colors are momentary glimpses of volcanic activity.
An experimental film in which both sound and visuals were created entirely by Norman McLaren drawing directly upon the film with ordinary pen and ink. The main title is in eight languages. Rereleased with multilingual titles in 1949.
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