Social & External
6-18-67 is a short quasi-documentary film by George Lucas regarding the making of the Columbia film “Mackenna's Gold”. This non-story, non-character visual tone poem is made up of nature imagery, time-lapse photography, and the subtle sounds of the Arizona desert.
The film is an insight into a teacher's soul and a contemplation upon his teaching fate. This portrait of a unique, experimental filmmaker and teacher Martin Čihák takes a look at his teaching methods, his meetings with his students at FAMU and at a park where they work with film, or in his studio.
2012: Time For Change is a documentary feature that presents ways to transform our unsustainable society into a regenerative planetary culture. This can be achieved through a personal and global change of consciousness and the systemic implementation of ecological design.
The Living Theatre is an experimental company founded in New York in 1947 by Julian Beck (New York 1925-1985), painter and poet, and the actress and stage director Judith Malina (Kiel 1926), a student of Erwin Piscator. From the very beginning the group’s activities bore the stamp of social and political commitment, imbued with a strong libertarian matrix. A video montage of films and videos from The Living Theatre Archives.
A student work by Jiří Menzel, filmed during his second year at the FAMU film school. Views of old Prague and its tenement buildings, symbolizing the obsolete past, alternate with shots of construction sites for new prefabricated apartment buildings. In spite of certain unavoidable propagandistic overtones added by the director, it is notable as the beginning of his search for a “dramaturgy of colors.”
One day in the life of Mr Hrstka, a blue collar worker and occasional pose model at the Prague academy of arts. Through this portrayal of an outsider, Paskaljevic explores the subject of isolation.
Signals Through the Flames is at once a history and a celebration of the Living Theatre. Founded in the late 1940s by husband-and-wife performers Julian Beck and Judith Malina, the Living Theatre was for many years the predominent American outlet for the avant-garde movement. There were occasional self-imposed exiles to Europe in the 1950s and 1960s, but the group returned full-force during the Aquarius Age to entertain a new generation of theatregoers.
A 4-year-old girl cries, lost in the city. A Soviet soldier on a ferry takes her in and takes her to her home village.
Four teenagers, everyday life, school, work and a week-long offline challenge. What do the lives of today's teenagers look like when they find themselves without an internet connection? In addition to disconnecting, they were to record their feelings and experiences in a video diary. Without the Internet, without music, without movies and series, and without any communication with the world around them, life can turn upside down.
A film poem. A minimalist reflection on whether inner states are transferable by the film medium. The aim of a Buddhist mindfulness meditation is to clear away thoughts wandering from the past to the present, to be mindfully aware of each present moment. Each unique NOW NOW NOW passing away just like single frames while the camera grab snatches off meters of expensive 35mm material.
Truth becomes the source of creativity; actions are a result of being, not thinking. This film, INSIDE/OUTSIDE is based upon Monika’s processes over many years. Robert Golden has had the privilege of meeting and photographing some of Monika’s late work. Although her teaching is for performers, Robert has said that her gift of understanding humanity has been gifted in some small ways to him. Monika’s inspirational way of working, helps actors to find a unity between their inner psyche and its outer expression. The 46-minute film shows a precise description of her work. Monika explains it in detail along with thoughts about movement, performance and theatre. The insightful and entertaining book and film are relevant to actors, dancers, Laban yoga, Feldenkrais, Pilates and other sports and movement systems and to people working with children.
Battering, breading, frying – Berta has prepared thousands of schnitzels in her old cast-iron pan over the years. This 83-year-old landlady’s life on the family farm with adjoining guest house in the Upper Palatinate has been marked by constant hard work. A life that her granddaughters Monika and Hannah never wanted to lead. Now, the deeply indebted farm is on the brink of collapse. Despite having an academic background and contrary to her intentions, Monika, in her early thirties, decides to give up her modern life and save the family business. The two women join forces and give themselves a year to sort out the farm’s problems.
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