Early film of a crowded street scene in an unidentified Indian city.
Social & External
A man talks about heroin abuse and withdrawal.
Arthur Lipsett's first film is an avant-garde blend of photography and sound. It looks behind the business-as-usual face we put on life and shows anxieties we want to forget. It is made of dozens of pictures that seem familiar, with fragments of speech heard in passing and, between times, a voice saying, "Very nice, very nice." The film was nominated for an Oscar for Best Live Action Short Film.
Though best known for his collage films, Lawrence Jordan here makes exquisite study of the different aspects of light lilting through the early morning fog of California winter. Painterly gradations of color and juxtapositions in scale are beautifully arranged to music by Antonio Vivaldi.
Documentary about the photo session for the photobook "Castella", filmed in Portugal.
While reconstruction of L’Atalante as a major feature has captured critical attention and debate, we also know that in 1933 even contemporary audiences, critics and politicians grasped the dangerous messages of Vigo’s mini-epic of school rebellion and took their scissors to it while keeping it from the public for more than a decade. Still, alternative versions reached other countries – including a different, early version in Italy – and pieces remain. Together with the rushes, outtakes and on location footage of Vigo during the shoot, Young Devils in School helps us to better understand Vigo’s original vision.
Storyboard showcase of Anno's ghibli museum short.
A lyrical portrait of Amsterdam and its changing appearance during a rain-shower.
The filmmaker's father and uncle, Norm and Stan, are third generation Japanese Americans. They are "all American" guys who love bowling, cards and pinball. Placed in the Amache internment camp as children during World War II, they don't think the experience affected them that much. But in the course of navigating the maze of her father's and uncle's pursuits while simultaneously trying to inquire about their past, the filmmaker is able to find connections between their lives now and the history that was left behind.
The Puppeteer is a powerful, moving glimpse into the art of puppetry and the passion of a brilliant artist. The film treats viewers to Igor's street corner magic and following a dramatic turn of events, leaves us to reflect on life, art and the pursuit of dreams.
The problem of slum dwellings in the 1930s.
Sonny Bono appears onscreen to tell kids that marijuana is a "bummer" that turns you into a "weedhead" and will make you "trip out" (the fact that, based upon his performance, Sonny appears to have ingested unknown substances before the cameras started rolling tends to limit the film's crediblity somewhat).
Produced for the "Little Nicky" Special Edition DVD.
An experimental meditation on Times Square's marquees and iconic advertising that captures the concurrently seedy and dazzling aspects of New York's Great White Way.
How does a machine learn to read the world? Testimonies and screen recordings introduce the experience of online micro-workers from the Global South: their job is to teach the AI of self-driving cars to navigate the streets of the Global North.
In What Makes a Woman, Munroe Bergdorf sets out to explore the changing world of gender and identity by way of her very own, very personal journey. Showing her in quiet, intimate, and extremely vulnerable moments. An honest insight into gender identity, Bergdorf prepares for a life-changing facial surgery, helping her finally picture herself as a woman.
A study of life at Christmastime in Moose Factory, an old settlement mainly composed of Cree families on the shore of James Bay, composed entirely of children's crayon drawings and narrated by children.
Combines airplane trips and fashion. Heavy on the fashion.
A Traveltalk look at the exteriors of Washington, D.C.'s famous buildings and monuments.
Between punches and jumps, the fighters of the team "Flecha Dourada" return to the ring after 50 years to relive the glorious era of wrestling in Santa Catarina, South of Brazil.
Daniel Craig candidly reflects on his 15 year adventure as James Bond. Including never-before-seen archival footage from Casino Royale to the upcoming 25th film No Time To Die, Craig shares his personal memories in conversation with 007 producers, Michael G Wilson and Barbara Broccoli.
Alexander McQueen's rags-to-riches story is a modern-day fairy tale, laced with the gothic. Mirroring the savage beauty, boldness and vivacity of his design, this documentary is an intimate revelation of McQueen's own world, both tortured and inspired, which celebrates a radical and mesmerizing genius of profound influence.
A look behind the lens of Christopher Nolan's space epic.
Amber Heard and Nicole Kidman discuss their characters Mera and Atlanna.
A documentary on the expletive's origin, why it offends some people so deeply, and what can be gained from its use.
Against the darkening backdrop of New Delhi's apocalyptic air and escalating violence, two brothers devote their lives to protecting one casualty of the turbulent times: the bird known as the black kite.
A documentary focused on plastic pollution in the world's oceans.
As a visually radical memoir, CAMERAPERSON draws on the remarkable footage that filmmaker Kirsten Johnson has shot and reframes it in ways that illuminate moments and situations that have personally affected her. What emerges is an elegant meditation on the relationship between truth and the camera frame, as Johnson transforms scenes that have been presented on Festival screens as one kind of truth into another kind of story—one about personal journey, craft, and direct human connection.
The earliest surviving motion-picture film, and believed to be one of the very first moving images ever created, was shot by Louis Aimé Augustin Le Prince using the LPCCP Type-1 MkII single-lens camera. It was taken on paper-based photographic film in the garden of Oakwood Grange, the Whitley family house in Roundhay, Leeds, West Riding of Yorkshire (UK), on 14 October 1888. The film shows Adolphe Le Prince (Le Prince’s son), Mrs. Sarah Whitley (Le Prince’s mother-in-law), Joseph Whitley, and Miss Harriet Hartley walking around in circles, laughing to themselves, and staying within the area framed by the camera. Roundhay Garden Scene is often associated with a recording speed of around 12 frames per second and runs for about 2 to 3 seconds.
A documentary shot by filmmakers all over the world that serves as a time capsule to show future generations what it was like to be alive on the 24th of July, 2010.
A documentary capturing the creation of the album Junun inside Rajasthan’s 15th-century Mehrangarh Fort. Paul Thomas Anderson follows Jonny Greenwood, Shye Ben Tzur, Nigel Godrich, and the Rajasthan Express as they record a cross-cultural fusion of Indian, Israeli, and Western music.
A documentary chronicling Vogue editor-in-chief Anna Wintour's preparations for the 2007 fall-fashion issue.
Nine filmmakers each profile a young girl from a different part of the world to weave a global tapestry of youth in the 21st century.
Marlon Riggs, with assistance from other gay Black men, especially poet Essex Hemphill, celebrates Black men loving Black men as a revolutionary act. The film intercuts footage of Hemphill reciting his poetry, Riggs telling the story of his growing up, scenes of men in social intercourse and dance, and various comic riffs, including a visit to the "Institute of Snap!thology," where men take lessons in how to snap their fingers: the sling snap, the point snap, the diva snap.
A visual montage portrait of our contemporary world dominated by globalized technology and violence.
Making of featurette for Sherlock Holmes (2009).
An inside look at one of the most anticipated movie sequels ever with James Cameron and cast.
Lyrical and powerfully personal essay film that reflects on the deaths of her husband Lou Reed, her mother, her beloved dog, and such diverse subjects as family memories, surveillance, and Buddhist teachings.
The Making-of James Cameron's Avatar. It shows interesting parts of the work on the set.
A documentary about the making of David Fincher's 2008 film THE CURIOUS CASE OF BENJAMIN BUTTON. Virtually every element in the evolution of the Fincher's film is documented here, from the project's attachment to numerous other directors during the 1990s, to its shoot in 2006 and 2007 in New Orleans, to its complex, CGI-intensive postproduction process.
