Back to the Land

Feature-length documentary as part of Pierre Perrault's Abitibian Cycle. The filmmaker questions the past and present of Abitibi and draws up, face to face, the promises of colonization in the 1930s and the great disappointment caused by the closing of the land in the 1970s. There are witnesses to the heroic era, including the cultivator Hauris Lalancette, as well as extracts from films by Father Maurice Proulx (1934-1940).

Cinéma Vérité: Defining the Moment

A documentary about direct-cinema from its very beginnings (Nanook of the North) to the fake-direct-cinema of the Blair Witch Project. All the important direct-cinema filmmakers are portrayed and/or interviewed: Leacock, Wiseman, Maysles, Pennebaker, Reisz and others.

Cesar's Bark Canoe

"This documentary depicts a canoe being built in the traditional manner. Cesar Newashish, a 67-year-old Attikamek of the Manawan Reserve North of Montréal, uses only birchbark, cedar splints, spruce roots, and gum. With a sure hand he works methodically to fashion a craft unsurpassed in function or beauty of design. Building a canoe solely from the materials that the forest provides may become a lost art, even among the Native Peoples whose traditional craft it is. The film is free of spoken commentary but text appears on the screen in Cree, French, and English." - Anthology Film Archives

The Things I Cannot Change

"This feature documentary is considered to be the forerunner of the NFB's Challenge for Change Program. The film offers in inside look at 3 weeks in the life of the Bailey family. Trouble with the police, begging for stale bread, and the birth of another child are just some of the issues they face. Through it all, the father tries to explain his family's predicament. Although filmed in Montreal, the film offers an anatomy of poverty as it occurs throughout North America." - NFB

Little Burgundy

"This film is one of the first French Unit productions of the “Société Nouvelle/Challenge for Change” program. When an old area of Montréal is to be demolished to make way for a new low-income housing development, is there anything the residents can do to protect their own interests? The film documents such a situation in the Little Burgundy district of Montréal and shows how the residents organized themselves into a committee that successfully influenced the city’s housing policy." - Anthology Film Archives

Michel Brault, l'instinct de vue

Friday: About Cars

"Montréal under the snow and the cold winter. It is the period of the year when the garage owners strike it rich. The automobile at the service of man? This small opus would rather show the contrary. This is one in a series of eight films titled “Chronicle of Everyday Life,” a project that filmmaker Jacques Leduc took four years to realize, and whose goal was to revisit Direct Cinema at a moment when it was already heavily “contaminated” by mainstream TV." - Anthology Film Archives

Disney Presents: Main Street Electrical Parade - Farewell Season

Catch the spark after dark at Disneyland Park. And say farewell to one of the Magic Kingdom's most celebrated traditions - The Main Street Electrical Parade. Where else, but in The Main Street Electrical Parade, could you see an illuminated 40-foot-long fire-breathing dragon? And hear the energy of its legendary melody one last time? It's unforgettable after-dark magic that will glow in your heart long after the last float has disappeared.

Emigrantes... e Depois?

Every year, especially in August, thousands of emigrants return to their villages from France, Germany and other countries of immigration. In 1975 these migrants are faced with popular festivities that are celebrated but, now, also with the political turmoil of the post 25 April. Before the revolution, coming back was only limited to those who left the country legally ...

Celluloid and Marble

Celluloid and Marble is based on Rohmer's own articles published in "Cahiers du cinéma", discussing film in relation to the other arts, maintaining that, in an age of cultural self-consciousness, cinema was “the last refuge of poetry” - the only contemporary art form from which metaphor could still spring naturally and spontaneously.

The Weavers: Wasn't That a Time

Documentary about the blacklisted folk group The Weavers, and the events leading up to their triumphant return to Carnegie Hall.

The Otherworld

Hidden deep in the south of France, practically untouched by the modern age, is a place known by many as 'the Zone'. In this space, the supernatural is an everyday reality of life. Magic is everywhere. It is reason. It is currency. It is unquestionable fact. Prepare yourself for a journey into life on the other side of the mirror.

American Revolution 2

“AMERICAN REVOLUTION 2” includes footage of the 1968 Democratic Convention protest and riot, a critique of events by working class African-Americans in Chicago, and attempts by the Black Panther Party to organize poor, southern white youths.

I Am My Own Woman

The life story of Charlotte von Mahlsdorf, who survived the Nazi reign as a trans woman and helped start the German gay liberation movement. Documentary with some dramatized scenes. Two actors play the young and middle aged Charlotte and she plays herself in the later years.

Sieben Mulden und eine Leiche

Thomas Haemmerli is about to celebrate his fortieth birthday when he learns of his mother's death. A further shock follows when he and his brother Erik discover her apartment, which is filthy and full to bursting with junk. It takes the brothers an entire month to clean out the place. Among the chaos, they find films going back to the 1930s, photos and other memorabilia.

Cartoon Madness: The Fantastic Max Fleischer Cartoons

Leonard Maltin tells about the Fleischer Studio between featuring assorted cartoons from the Fleischers.

HAND

A reflective essay on living with young onset Parkinson's disease.

Sincerely Yours

Documentary about the making and impact of "The Breakfast Club."

Stray Kids 'Unlock : GO LIVE IN LIFE'

Stray Kids take the stage for their first online concert hosted by Beyond Live.

Furtively About Kira

In VGIK, she was a student of the workshop of Sergei Gerasimov and Tamara Makarova, and watched Godard's "Last Breath" and thought, nothing more is needed. Everything is already there. But, in the end, without her, without her 22 films, the history of world cinema would be incomplete. In our country, her name has become one of the undisputed geniuses-Tarkovsky, Parajanov, Herman, Sokurov. The brilliant Kira Muratova looks at a person with irony, as if from a distance and from above, as if at a funny puppet theater, but her gaze is full of sympathy. It divides artists into two categories: preachers and gamblers. Of course, he considers himself one of the latter. Chance is her muse. Improvisation is a feature of the method. And what is life but improvisation? In contrast to Rene Clair with his phrase " my film is ready. It remains only to remove it", goes to the set, opening up to life, the game of chance.