The Revolution Will Not Be Televised

Hugo Chavez was a colourful, unpredictable folk hero who was beloved by his nation’s working class. He was elected president of Venezuela in 1998, and proved to be a tough, quixotic opponent to the power structure that wanted to depose him. When he was forcibly removed from office on 11 April 2002, two independent filmmakers were inside the presidential palace.

Campoma

Short that tells the history of Campoma, a small Venezuelan town founded by black slaves.

La Memoria es un Caracol

Documentary about the life of Luis Mariano Rivera.

La autonomía ha muerto

In 1969, the Renovación Universitaria movement and the subsequent raid on the Central University of Venezuela by the government of Rafael Caldera, triggered a strong wave of protest in the Institutes of Higher Education in Venezuela. This documentary collects part of the events that took place in the city of Mérida, Mérida State, where the University of the Andes is located.

El rey del bandolín

Cruz Quinal, "the mandolin king," lives near Cumana in a mountain valley surrounded by sugarcane fields. Perpetuating 16th century Spanish traditions of guitar-making, Cruz fashions such musical instruments as cuatros, marimba, escarpandola, and his own creation, a mandolin with two fretboards. He is an accomplished musician as well. In this moving portrait, Cruz compares himself to a decaying colonial church across the street: revered yet neglected, the village altar stands, paint peeling, under the open sky.

Testimonio de un obrero petrolero

Trade union leader Manuel Taborda, a pioneer of workers' organisations in the oil industry, recounts his experiences and those of his colleagues from 1920 to 1936, with an emphasis on the struggles against foreign companies and the government.

Hugo Chávez: Itinéraire d'un révolutionnaire

Mayami nuestro

Mayami Nuestro goes beyond the slogan "tá barato, dame dos" (“it’s cheap, give me two”) to force a rethinking of Venezuela’s relationship with oil and national identity. Produced at the height of the oil boom, this 34-minute documentary examines Venezuelan lifestyles in the 1970s and early 1980s, questioning the consumerist fantasies fueled by petro-wealth. Through interviews with merchants, bankers, U.S. academics, and the testimonies of Venezuelans themselves, the film maps the era’s version of the “American Dream” as lived—and projected—abroad. Winner of national and international awards and directed by Carlos Oteyza, Mayami nuestro offers a sharp, historically grounded critique and an open invitation for new generations to reflect on the legacy of oil and its cultural consequences.

Azu

1780, a group of slaves flee from a sugar cane hacienda. As they are pursued by Don Manuel Aguirre, obsessed landowner who has fixed his eyes on Azu, the beautiful slave with an ancestral destiny.

Black River

The struggle of two men, Osuna and Funes, hungry for power and wealth in a small town in Venezuela, during the dictatorship of Juan Vicente Gómez.

Little Square

Intertwined stories of people fighting for love, survival and the truth during quarantine.

Bolívar, Faro de América

Documentary about the life of Simón Bolívar, directed by Antonio Bacé.

Test of a clean hydrogen bomb with a yield of 50 megatons

Documentary movie about testing of the largest nuclear weapon in history, the Tsar Bomba. Declassified and made available to the public in 2020.

Pearl Jam: The TV Master Archive 1992 - 2017

This project is a master archive of Pearl Jam TV performances from the first 25 years of their career. We have attempted to compile the very best sources available for all footage, searching many collections and archives.Much of the older footage has been remastered, to be restored to its closest possible original broadcast appearance. The standard definition footage was then up-converted for Blu-ray.

Motori Ruggenti

Woodstock

An intimate look at the Woodstock Music & Art Festival held in Bethel, NY in 1969, from preparation through cleanup, with historic access to insiders, blistering concert footage, and portraits of the concertgoers; negative and positive aspects are shown, from drug use by performers to naked fans sliding in the mud, from the collapse of the fences by the unexpected hordes to the surreal arrival of National Guard helicopters with food and medical assistance for the impromptu city of 500,000.

The cruel way

1984. In the shadow of the Iron Curtain, a nation dares to challenge the gods. On the occasion of the 40th anniversary of the socialist revolution, Bulgaria faces its best mountaineers in the greatest test on the planet - the deadly Mount Chomolungma, also known as Everest. But this is not just a climb.

The Boxer from Somewhere Else: The Ken Buchanan Story

Charts the life and career of Scottish boxer Ken Buchanan, the 1970-71 undisputed lightweight world champion.

Gloria! The Making Of

Margherita Vicario talks about the making of “GLORIA!” Between departments, preparation, shooting and post-production, straight to the BERLIN 2024 festival. Dedicated to all the workers who contributed to making the film.

Who Is Shi Heng Yi

Master Shi Heng Yi runs the Shaolin Temple Europe in Germany. The temple falls into disrepair and Shifu attempts to save the temple to continue sharing the Shaolin teaching around the world.

Sans Soleil

A woman narrates the thoughts of a world traveler, meditations on time and memory expressed in words and images from places as far-flung as Japan, Guinea-Bissau, Iceland, and San Francisco.

The Revolution Will Not Be Televised

Hugo Chavez was a colourful, unpredictable folk hero who was beloved by his nation’s working class. He was elected president of Venezuela in 1998, and proved to be a tough, quixotic opponent to the power structure that wanted to depose him. When he was forcibly removed from office on 11 April 2002, two independent filmmakers were inside the presidential palace.

Mea Maxima Culpa: Silence in the House of God

Alex Gibney explores the charged issue of pedophilia in the Catholic Church, following a trail from the first known protest against clerical sexual abuse in the United States and all way to the Vatican.

Simón

Simón, a Venezuelan freedom fighter exiled in Miami, copes not only with trauma, but also deep guilt over a choice he must make: stay in Miami and start a new life, or return home to the losing fight against a tyrannical regime.

One of Us

Penetrating the insular world of New York's Hasidic community, focusing on three individuals driven to break away despite threats of retaliation.

Fire at Sea

Capturing life on the Italian island of Lampedusa, a frontline in the European migrant crisis.

The Class of ‘92

A detailing of the rise to prominence and global sporting superstardom of six supremely talented young Manchester United football players (David Beckham, Nicky Butt, Ryan Giggs, Paul Scholes, Phil and Gary Neville). The film covers the period 1992-1999, culminating in Manchester United's European Cup triumph.

Fuck

A documentary on the expletive's origin, why it offends some people so deeply, and what can be gained from its use.

Ex Libris: The New York Public Library

A documentary about how a dominant cultural and demographic institution both sustains their traditional activities and adapts to the digital revolution.

John Candy: I Like Me

Those who knew iconic funnyman John Candy best share his story, in their own words, through never-before-seen archival footage, imagery, and interviews.

Capital in the Twenty-First Century

Film adaptation of French economist Thomas Piketty's ground-breaking global bestseller of the same name: an eye-opening journey through wealth and power.

Meetin' WA

Revolutionary French New Wave director Jean-Luc Godard conducts a twenty-five minute interview with influential and acclaimed American director Woody Allen on the cultural radiation, the ubiquity and significance of Television, and how Television compares with cinema as a medium and form of expression.

Papita, maní, tostón

Andres (Jean Pierre Agostini) it's a fan of Los Leones del Caracas one of the principal baseball teams of Venezuela. Julissa (Juliette Pardau) it's a fan of Los Navegantes del Magallanes, the rival team. One day Andres gets tickets to see the game in Magallanes VIP Zone. He meets Julissa and her dad who is not only fan but one of the team's managers. Andres and Julissa will fall in love and will have to pretend to be fan of the other's team. But soon trouble will arise.

Public Speaking

Martin Scorsese’s portrait of writer and social commentator Fran Lebowitz, celebrated for her sharp wit and observations on modern life. Filmed at New York’s Waverly Inn and intercut with archival footage and interviews, the documentary captures Lebowitz’s distinctive worldview through her spontaneous monologues and public appearances.

Listen to Me Marlon

With exclusive access to his extraordinary unseen and unheard personal archive including hundreds of hours of audio recorded over the course of his life, this is the definitive Marlon Brando cinema documentary. Charting his exceptional career as an actor and his extraordinary life away from the stage and screen with Brando himself as your guide, the film will fully explore the complexities of the man by telling the story uniquely from Marlon's perspective, entirely in his own voice. No talking heads, no interviewees, just Brando on Brando and life.

Re-Existences

“Re-Existence” is a documentary about migration stories of individuals from the Brazilian queer community.

Notturno

Shot over three years on the borders between Iraq, Kurdistan, Syria and Lebanon, the film depicts the everyday struggles of people attempting to rebuild their lives amongst the devastating effects of civil wars, dictatorships, foreign invasions, and the deadly presence of ISIS.

Flesh for Sale

The porn industry has grown from a product purchased on the sly, to be sold on newsstands in the daily press. "La piel vendida" aims to open a window to this film. His actors, actresses, directors, producers ... tell us their profession from the lights and shadows of a cinema by dint of being explicit in its imagery and themes, is hidden in their motivations: the viewer and their protagonists.

The Mad Masters

The subject of the film was the Hauka movement. The Hauka movement consisted of mimicry and dancing to become possessed by French Colonial administrators. The participants performed the same elaborate military ceremonies of their colonial occupiers, but in more of a trance than true recreation.

Emak-Bakia

Emak-Bakia (Basque for Leave me alone) is a 1926 film directed by Man Ray. Subtitled as a cinépoéme, it features many techniques Man Ray used in his still photography (for which he is better known), including Rayographs, double exposure, soft focus and ambiguous features. The film features sculptures by Pablo Picasso, and some of Man Ray's mathematical objects both still and animated using a stop motion technique.