Social & External
Unknown Role
Hugo Chavez was a colourful, unpredictable folk hero who was beloved by his nation’s working class. He was elected president of Venezuela in 1998, and proved to be a tough, quixotic opponent to the power structure that wanted to depose him. When he was forcibly removed from office on 11 April 2002, two independent filmmakers were inside the presidential palace.
Trade union leader Manuel Taborda, a pioneer of workers' organisations in the oil industry, recounts his experiences and those of his colleagues from 1920 to 1936, with an emphasis on the struggles against foreign companies and the government.
Short that tells the history of Campoma, a small Venezuelan town founded by black slaves.
Imagen de Caracas was an experimental film spectacle, directed by Jacobo Borges and Mario Robles in 1968 for the 400 anniversary of the foundation of Caracas. It needed more than 48768 meters of film and 5000 actors.
Cruz Quinal, "the mandolin king," lives near Cumana in a mountain valley surrounded by sugarcane fields. Perpetuating 16th century Spanish traditions of guitar-making, Cruz fashions such musical instruments as cuatros, marimba, escarpandola, and his own creation, a mandolin with two fretboards. He is an accomplished musician as well. In this moving portrait, Cruz compares himself to a decaying colonial church across the street: revered yet neglected, the village altar stands, paint peeling, under the open sky.
In 1969, the Renovación Universitaria movement and the subsequent raid on the Central University of Venezuela by the government of Rafael Caldera, triggered a strong wave of protest in the Institutes of Higher Education in Venezuela. This documentary collects part of the events that took place in the city of Mérida, Mérida State, where the University of the Andes is located.
Río Negro is the struggle of two men, Osuna and Funes, hungry for power and wealth in a small town in Venezuela, during the dictatorship of Juan Vicente Gómez
Intertwined stories of people fighting for love, survival and the truth during quarantine.
Documentary about the life of Simón Bolívar, directed by Antonio Bacé.
Bojan Krkic has had success in the palm of his hand, but the difficulties encountered by a precocious and sensitive talent like him have marked his career since he made his debut with FC Barcelona at the age of 16. Bojan is a clear example of the pressure to which young talents in sport are subjected.
Bohumil Modrý, the best hockey goalie in the world, who significantly contributed to the first international successes of Czechoslovak hockey after World War II. In 1948, he was offered a job in the NHL, but his stellar sports career and happy family life were destroyed by a trumped-up political trial in 1950. He died prematurely in 1963 at the age of 46 from the effects of imprisonment and radiation.
“The True Biography of Nikita Mikhalkov” is the story of one of the most famous Russian directors (and one of the most adored actors by the public), told unbiasedly - that is, not from the words of Mikhalkov himself.
Ania and Bartek, two stuttering teenagers undergoing speech therapy, are learning to like themselves and stop being afraid.
In a retirement home in a small village in the south of France, residents try to build a community. What ties can they still manage to forge in this anonymous environment often perceived as hostile?
The story of the Los Angeles 'Kiss or Kill' music scene (2002-2007). Fed up with the wretched Sunset Strip pay-for-play policies, 'too cool for school' trendiness of the Silverlake scene and apathetic crowds, the bands that made up Kiss or Kill forged their own scene based on great music, cheap booze, low cover, and a mid-western sense of community and friendship. At it's peak, Kiss or Kill had more than 60 bands in its roster and over 1,000 local L.A. fans. But as Kiss or Kill grew and became more popular, it fell victim to the same 'venue-isms' of other L.A. clubs and eventually became the very thing it was fighting against.
Silvia and Birgit have never met, but they live similar lives: both work over 15 hours a day and give everything to their regular customers. For decades, they have been the proud owners of their own “Trinkhalle” in the deepest Ruhr area.
The Soviet advance met with fierce, idealistic resistance. We join the hundreds of students as they man barricades constructed from overturned lorries to try to halt the advance. Sparsely armed, they fight fiercely, driven by a belief in their new and better socialism. But the deadening, inevitable weight of Soviet might soon stamps its boot across this hopeful Czech vision. Over 100 people died in the reprisals which followed, and tens of thousands fled their homes for the West. This is the definitive story of the heady days before Soviet "normalisation" took hold. The film was assembled using footage smuggled out of Prague. What began as an account of the liberation of a people, became a documentary of oppression; as the tanks moved in, the cameras simply continued rolling.
Documentary that frames gun violence as a Disaster and Public Health issue by taking an in depth look at how one shooting impacts individuals, families and communities, while also giving voice to the questions and insights that arise from these conversations. In the documentary, all those scarred by gun violence eventually arrived at the same question: "Why...Why did this happen to us?" After looking at these in depth experiences of gun violence "Trigger turns its attention to the bigger question: "What can we do to prevent gun violence?"
A group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.
A day in the city of Berlin, which experienced an industrial boom in the 1920s, and still provides an insight into the living and working conditions at that time. Germany had just recovered a little from the worst consequences of the First World War, the great economic crisis was still a few years away and Hitler was not yet an issue at the time.
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